ノート

Question 1

この例は決して最小限ではありませんが、私はとにかくこれを採用しました。

parskip段落の区切りに垂直方向の間隔を使用するには、次の方法が推奨されます。

\documentclass[twoside]{article}
\bibliographystyle{nature}
\usepackage{parskip}

\usepackage{lipsum} % Package to generate dummy text throughout this template

%\usepackage[sc]{mathpazo} % Use the Palatino font
\usepackage[utf8]{inputenc}% you cannot use 2 input encodings simultaneously!
%\usepackage[T1]{fontenc} % Use 8-bit encoding that has 256 glyphs
%\linespread{1.05} % Line spacing - Palatino needs more space between lines
\usepackage{microtype} % Slightly tweak font spacing for aesthetics

\usepackage[columnsep=28pt]{geometry} % Document margins % don't load geometry twice
\geometry{a4paper,left=25mm,right=25mm, top=25mm, bottom=25mm, headsep=10mm}% sets margin ratio again in effect

\usepackage{multicol} % Used for the two-column layout of the document
\usepackage{hyperref} % For hyperlinks in the PDF

\usepackage{paralist}% Used for the compactitem environment which makes bullet points with less space between them

\usepackage{abstract} % Allows abstract customization
\renewcommand{\abstractnamefont}{\normalfont\bfseries} % Set the "Abstract" text to bold

\usepackage{titlesec} % Allows customization of titles
\renewcommand\thesection{\Roman{section}.} % Roman numerals for the sections
\renewcommand\thesubsection{\thesection\Roman{subsection}}% Roman numerals for subsections
%\titleformat{\section}[block]{\large\scshape\centering}{\thesection.}{1em}{} % Change the look of the section titles
\titleformat{\subsection}[block]{\large}{\thesubsection.}{1em}{} % Change the look of the section titles

\usepackage{fancyhdr} % Headers and footers
\pagestyle{fancy} % All pages have headers and footers - THIS command sets the default page layout
\fancyhead{} % Blank out the default header
\fancyhead[C]{VIZIDI $\bullet$ Generative Art \& Design $\bullet$ Winter Semester 2013/2014}  %

%----------------------------------------------------------------------------------------
%   TITLE SECTION
%----------------------------------------------------------------------------------------

\title{\vspace{-15mm}\fontsize{24pt}{10pt}\selectfont\textbf{VIZIDI}} % Article title

\author{
\large
\textsc{David Beerman \& Antonio Palacios}\\[2mm] % Your name
\normalsize Hochschule für Künste Bremen \\ % Your institution
\href{mailto:[email protected]}{[email protected]}\\
\href{mailto:[email protected]}{[email protected]} % Your email address
\vspace{-5mm}
}
\date{}

%----------------------------------------------------------------------------------------

\begin{document}

\maketitle % Insert title

\thispagestyle{fancy} % All pages have headers and footers  - no this command only affects THIS page

%----------------------------------------------------------------------------------------
%   ABSTRACT
%----------------------------------------------------------------------------------------

\begin{abstract}

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

Donec vitae justo ac elit imperdiet ullamcorper eget vitae ante. Nam elementum condimentum sagittis. Suspendisse nibh enim, ultricies nec iaculis eu, elementum in mauris. Proin faucibus rhoncus dolor in ultricies. Curabitur interdum justo non dui rutrum pharetra quis vitae risus. Mauris odio massa, luctus et odio vitae, porta aliquam massa. Sed aliquam ligula enim, a fringilla tellus vulputate at. Aenean vitae rutrum lectus.

\end{abstract}

%----------------------------------------------------------------------------------------
%   ARTICLE CONTENTS
%----------------------------------------------------------------------------------------

\begin{multicols}{2} % Two-column layout throughout the main article text

\section{Introduction}

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

%------------------------------------------------

\section{Methods}

\subsection{Parsing MIDI files}
Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

\subsection{Evaluating MIDI data}
Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

\subsection{Visualization and animation}
Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

%------------------------------------------------

\section{Discussion}

A good point of discussion here concerns the level of technical complexity of the pieces that were exhibited alongside VIZIDI in the “Generative Art \& Design” space. It was interesting to appreciate that people oftentimes reacted more positively to projects that favoured aesthetics. In that sense, a possible question would be: should visual impact be the goal of generative art? There is no doubt that this is a controversial issue. An engaging experience, a room full of colorful lights or a breathtaking animation are only possible if a good program has been compiled. Therefore, code and visuals must work in tandem. Reaching that balance is perhaps the most difficult part of any job of this nature.

%----------------------------------------------------------------------------------------
%   REFERENCE LIST
%----------------------------------------------------------------------------------------

%\bibliography{vizidi}

%----------------------------------------------------------------------------------------

\end{multicols}

\end{document}

パースキップ

ノート

パッケージを 2 回ロードしないでくださいgeometry。例:
\thispagestyleのみ影響しますこれページスタイル。
\pagestyleデフォルトのページスタイルに影響します。
2 つの入力エンコーディングを同時に使用することはできませんinputenc。それ以外の場合は指定しないでください。

Answer

この例は決して最小限ではありませんが、私はとにかくこれを採用しました。

parskip段落の区切りに垂直方向の間隔を使用するには、次の方法が推奨されます。

\documentclass[twoside]{article}
\bibliographystyle{nature}
\usepackage{parskip}

\usepackage{lipsum} % Package to generate dummy text throughout this template

%\usepackage[sc]{mathpazo} % Use the Palatino font
\usepackage[utf8]{inputenc}% you cannot use 2 input encodings simultaneously!
%\usepackage[T1]{fontenc} % Use 8-bit encoding that has 256 glyphs
%\linespread{1.05} % Line spacing - Palatino needs more space between lines
\usepackage{microtype} % Slightly tweak font spacing for aesthetics

\usepackage[columnsep=28pt]{geometry} % Document margins % don't load geometry twice
\geometry{a4paper,left=25mm,right=25mm, top=25mm, bottom=25mm, headsep=10mm}% sets margin ratio again in effect

\usepackage{multicol} % Used for the two-column layout of the document
\usepackage{hyperref} % For hyperlinks in the PDF

\usepackage{paralist}% Used for the compactitem environment which makes bullet points with less space between them

\usepackage{abstract} % Allows abstract customization
\renewcommand{\abstractnamefont}{\normalfont\bfseries} % Set the "Abstract" text to bold

\usepackage{titlesec} % Allows customization of titles
\renewcommand\thesection{\Roman{section}.} % Roman numerals for the sections
\renewcommand\thesubsection{\thesection\Roman{subsection}}% Roman numerals for subsections
%\titleformat{\section}[block]{\large\scshape\centering}{\thesection.}{1em}{} % Change the look of the section titles
\titleformat{\subsection}[block]{\large}{\thesubsection.}{1em}{} % Change the look of the section titles

\usepackage{fancyhdr} % Headers and footers
\pagestyle{fancy} % All pages have headers and footers - THIS command sets the default page layout
\fancyhead{} % Blank out the default header
\fancyhead[C]{VIZIDI $\bullet$ Generative Art \& Design $\bullet$ Winter Semester 2013/2014}  %

%----------------------------------------------------------------------------------------
%   TITLE SECTION
%----------------------------------------------------------------------------------------

\title{\vspace{-15mm}\fontsize{24pt}{10pt}\selectfont\textbf{VIZIDI}} % Article title

\author{
\large
\textsc{David Beerman \& Antonio Palacios}\\[2mm] % Your name
\normalsize Hochschule für Künste Bremen \\ % Your institution
\href{mailto:[email protected]}{[email protected]}\\
\href{mailto:[email protected]}{[email protected]} % Your email address
\vspace{-5mm}
}
\date{}

%----------------------------------------------------------------------------------------

\begin{document}

\maketitle % Insert title

\thispagestyle{fancy} % All pages have headers and footers  - no this command only affects THIS page

%----------------------------------------------------------------------------------------
%   ABSTRACT
%----------------------------------------------------------------------------------------

\begin{abstract}

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

Donec vitae justo ac elit imperdiet ullamcorper eget vitae ante. Nam elementum condimentum sagittis. Suspendisse nibh enim, ultricies nec iaculis eu, elementum in mauris. Proin faucibus rhoncus dolor in ultricies. Curabitur interdum justo non dui rutrum pharetra quis vitae risus. Mauris odio massa, luctus et odio vitae, porta aliquam massa. Sed aliquam ligula enim, a fringilla tellus vulputate at. Aenean vitae rutrum lectus.

\end{abstract}

%----------------------------------------------------------------------------------------
%   ARTICLE CONTENTS
%----------------------------------------------------------------------------------------

\begin{multicols}{2} % Two-column layout throughout the main article text

\section{Introduction}

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

%------------------------------------------------

\section{Methods}

\subsection{Parsing MIDI files}
Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

\subsection{Evaluating MIDI data}
Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

\subsection{Visualization and animation}
Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

%------------------------------------------------

\section{Discussion}

A good point of discussion here concerns the level of technical complexity of the pieces that were exhibited alongside VIZIDI in the “Generative Art \& Design” space. It was interesting to appreciate that people oftentimes reacted more positively to projects that favoured aesthetics. In that sense, a possible question would be: should visual impact be the goal of generative art? There is no doubt that this is a controversial issue. An engaging experience, a room full of colorful lights or a breathtaking animation are only possible if a good program has been compiled. Therefore, code and visuals must work in tandem. Reaching that balance is perhaps the most difficult part of any job of this nature.

%----------------------------------------------------------------------------------------
%   REFERENCE LIST
%----------------------------------------------------------------------------------------

%\bibliography{vizidi}

%----------------------------------------------------------------------------------------

\end{multicols}

\end{document}

パースキップ

ノート

パッケージを 2 回ロードしないでくださいgeometry。例:
\thispagestyleのみ影響しますこれページスタイル。
\pagestyleデフォルトのページスタイルに影響します。
2 つの入力エンコーディングを同時に使用することはできませんinputenc。それ以外の場合は指定しないでください。

Question 2

パッケージを使用することもできますがparskip、ここで行う最も安全な方法は、に切り替えてscrartcl、そのオプションの 1 つを使用することですparskip( half、fullおよびいくつかの+との*バリエーションがあります)。

\documentclass[twoside,parskip=half]{scrartcl}
\bibliographystyle{nature}      

\usepackage{lipsum} % Package to generate dummy text throughout this template

%\usepackage[sc]{mathpazo} % Use the Palatino font
\usepackage[latin1,utf8]{inputenc}
%\usepackage[T1]{fontenc} % Use 8-bit encoding that has 256 glyphs
%\linespread{1.05} % Line spacing - Palatino needs more space between lines
\usepackage{microtype} % Slightly tweak font spacing for aesthetics

\usepackage[hmarginratio=1:1,columnsep=28pt]{geometry} % Document margins
\usepackage{geometry}
\geometry{a4paper,left=25mm,right=25mm, top=25mm, bottom=25mm, headsep=10mm} 

\usepackage{multicol} % Used for the two-column layout of the document
\usepackage{hyperref} % For hyperlinks in the PDF

\usepackage{paralist}% Used for the compactitem environment which makes bullet points with less space between them

\usepackage{abstract} % Allows abstract customization
\renewcommand{\abstractnamefont}{\normalfont\bfseries} % Set the "Abstract" text to bold

\usepackage{titlesec} % Allows customization of titles
\renewcommand\thesection{\Roman{section}.} % Roman numerals for the sections
\renewcommand\thesubsection{\thesection\Roman{subsection}}% Roman numerals for subsections
%\titleformat{\section}[block]{\large\scshape\centering}{\thesection.}{1em}{} % Change the look of the section titles
\titleformat{\subsection}[block]{\large}{\thesubsection.}{1em}{} % Change the look of the section titles

\usepackage{fancyhdr} % Headers and footers
\pagestyle{fancy} % All pages have headers and footers
\fancyhead{} % Blank out the default header
\fancyhead[C]{VIZIDI $\bullet$ Generative Art \& Design $\bullet$ Winter Semester 2013/2014}  % 

%----------------------------------------------------------------------------------------
%   TITLE SECTION
%----------------------------------------------------------------------------------------

\title{\vspace{-15mm}\fontsize{24pt}{10pt}\selectfont\textbf{VIZIDI}} % Article title

\author{
\large
\textsc{David Beerman \& Antonio Palacios}\\[2mm] % Your name
\normalsize Hochschule für Künste Bremen \\ % Your institution
\href{mailto:[email protected]}{[email protected]}\\
\href{mailto:[email protected]}{[email protected]} % Your email address
\vspace{-5mm}
}
\date{}

%----------------------------------------------------------------------------------------

\begin{document}

\maketitle % Insert title

\thispagestyle{fancy} % All pages have headers and footers

%----------------------------------------------------------------------------------------
%   ABSTRACT
%----------------------------------------------------------------------------------------

\begin{abstract}

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue. 

Donec vitae justo ac elit imperdiet ullamcorper eget vitae ante. Nam elementum condimentum sagittis. Suspendisse nibh enim, ultricies nec iaculis eu, elementum in mauris. Proin faucibus rhoncus dolor in ultricies. Curabitur interdum justo non dui rutrum pharetra quis vitae risus. Mauris odio massa, luctus et odio vitae, porta aliquam massa. Sed aliquam ligula enim, a fringilla tellus vulputate at. Aenean vitae rutrum lectus. 

\end{abstract}

%----------------------------------------------------------------------------------------
%   ARTICLE CONTENTS
%----------------------------------------------------------------------------------------

\begin{multicols}{2} % Two-column layout throughout the main article text

\section{Introduction}

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue. 

%------------------------------------------------

\section{Methods}

\subsection{Parsing MIDI files}
Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue. 

\subsection{Evaluating MIDI data}
Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue. 

\subsection{Visualization and animation}
Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue. 

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue. 

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue. 

%------------------------------------------------

\section{Discussion}

A good point of discussion here concerns the level of technical complexity of the pieces that were exhibited alongside VIZIDI in the “Generative Art \& Design” space. It was interesting to appreciate that people oftentimes reacted more positively to projects that favoured aesthetics. In that sense, a possible question would be: should visual impact be the goal of generative art? There is no doubt that this is a controversial issue. An engaging experience, a room full of colorful lights or a breathtaking animation are only possible if a good program has been compiled. Therefore, code and visuals must work in tandem. Reaching that balance is perhaps the most difficult part of any job of this nature.

%----------------------------------------------------------------------------------------
%   REFERENCE LIST
%----------------------------------------------------------------------------------------

%\bibliography{vizidi} 

%----------------------------------------------------------------------------------------

\end{multicols}

\end{document}

私が「より安全」と言うのは、次のことを意味します。fullまたはを使用するhalfと、段落間の追加の区切りがそれぞれ 1 行または 1 行の半分だけになります。クラスは、不要な場所 (リスト、ToC、LoF、LoT など) で間隔を増やさないようにしますが、修飾子*、、を使用する+と、修飾子がない場合、段落の最終行は少なくともの空白で終わります1em。プラス文字を使用すると空白の量は通常の行の幅の 3 分の 1 になり、アスタリスクを使用すると 4 分の 1 になります。これにより、最終行がページ区切りの直前の右余白まで延長されることで生じるあいまいさを回避できます。

Answer

パッケージを使用することもできますがparskip、ここで行う最も安全な方法は、に切り替えてscrartcl、そのオプションの 1 つを使用することですparskip( half、fullおよびいくつかの+との*バリエーションがあります)。

\documentclass[twoside,parskip=half]{scrartcl}
\bibliographystyle{nature}      

\usepackage{lipsum} % Package to generate dummy text throughout this template

%\usepackage[sc]{mathpazo} % Use the Palatino font
\usepackage[latin1,utf8]{inputenc}
%\usepackage[T1]{fontenc} % Use 8-bit encoding that has 256 glyphs
%\linespread{1.05} % Line spacing - Palatino needs more space between lines
\usepackage{microtype} % Slightly tweak font spacing for aesthetics

\usepackage[hmarginratio=1:1,columnsep=28pt]{geometry} % Document margins
\usepackage{geometry}
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\fancyhead[C]{VIZIDI $\bullet$ Generative Art \& Design $\bullet$ Winter Semester 2013/2014}  % 

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\textsc{David Beerman \& Antonio Palacios}\\[2mm] % Your name
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%   ABSTRACT
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\begin{abstract}

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\section{Introduction}

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\section{Methods}

\subsection{Parsing MIDI files}
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\subsection{Evaluating MIDI data}
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\subsection{Visualization and animation}
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Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue. 

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\section{Discussion}

A good point of discussion here concerns the level of technical complexity of the pieces that were exhibited alongside VIZIDI in the “Generative Art \& Design” space. It was interesting to appreciate that people oftentimes reacted more positively to projects that favoured aesthetics. In that sense, a possible question would be: should visual impact be the goal of generative art? There is no doubt that this is a controversial issue. An engaging experience, a room full of colorful lights or a breathtaking animation are only possible if a good program has been compiled. Therefore, code and visuals must work in tandem. Reaching that balance is perhaps the most difficult part of any job of this nature.

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私が「より安全」と言うのは、次のことを意味します。fullまたはを使用するhalfと、段落間の追加の区切りがそれぞれ 1 行または 1 行の半分だけになります。クラスは、不要な場所 (リスト、ToC、LoF、LoT など) で間隔を増やさないようにしますが、修飾子*、、を使用する+と、修飾子がない場合、段落の最終行は少なくともの空白で終わります1em。プラス文字を使用すると空白の量は通常の行の幅の 3 分の 1 になり、アスタリスクを使用すると 4 分の 1 になります。これにより、最終行がページ区切りの直前の右余白まで延長されることで生じるあいまいさを回避できます。

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