Anmerkungen

Question 1

Das Beispiel ist alles andere als minimal, aber ich habe es trotzdem verwendet.

parskipist die empfohlene Methode, vertikale Abstände zur Absatztrennung zu verwenden:

\documentclass[twoside]{article}
\bibliographystyle{nature}
\usepackage{parskip}

\usepackage{lipsum} % Package to generate dummy text throughout this template

%\usepackage[sc]{mathpazo} % Use the Palatino font
\usepackage[utf8]{inputenc}% you cannot use 2 input encodings simultaneously!
%\usepackage[T1]{fontenc} % Use 8-bit encoding that has 256 glyphs
%\linespread{1.05} % Line spacing - Palatino needs more space between lines
\usepackage{microtype} % Slightly tweak font spacing for aesthetics

\usepackage[columnsep=28pt]{geometry} % Document margins % don't load geometry twice
\geometry{a4paper,left=25mm,right=25mm, top=25mm, bottom=25mm, headsep=10mm}% sets margin ratio again in effect

\usepackage{multicol} % Used for the two-column layout of the document
\usepackage{hyperref} % For hyperlinks in the PDF

\usepackage{paralist}% Used for the compactitem environment which makes bullet points with less space between them

\usepackage{abstract} % Allows abstract customization
\renewcommand{\abstractnamefont}{\normalfont\bfseries} % Set the "Abstract" text to bold

\usepackage{titlesec} % Allows customization of titles
\renewcommand\thesection{\Roman{section}.} % Roman numerals for the sections
\renewcommand\thesubsection{\thesection\Roman{subsection}}% Roman numerals for subsections
%\titleformat{\section}[block]{\large\scshape\centering}{\thesection.}{1em}{} % Change the look of the section titles
\titleformat{\subsection}[block]{\large}{\thesubsection.}{1em}{} % Change the look of the section titles

\usepackage{fancyhdr} % Headers and footers
\pagestyle{fancy} % All pages have headers and footers - THIS command sets the default page layout
\fancyhead{} % Blank out the default header
\fancyhead[C]{VIZIDI $\bullet$ Generative Art \& Design $\bullet$ Winter Semester 2013/2014}  %

%----------------------------------------------------------------------------------------
%   TITLE SECTION
%----------------------------------------------------------------------------------------

\title{\vspace{-15mm}\fontsize{24pt}{10pt}\selectfont\textbf{VIZIDI}} % Article title

\author{
\large
\textsc{David Beerman \& Antonio Palacios}\\[2mm] % Your name
\normalsize Hochschule für Künste Bremen \\ % Your institution
\href{mailto:[email protected]}{[email protected]}\\
\href{mailto:[email protected]}{[email protected]} % Your email address
\vspace{-5mm}
}
\date{}

%----------------------------------------------------------------------------------------

\begin{document}

\maketitle % Insert title

\thispagestyle{fancy} % All pages have headers and footers  - no this command only affects THIS page

%----------------------------------------------------------------------------------------
%   ABSTRACT
%----------------------------------------------------------------------------------------

\begin{abstract}

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

Donec vitae justo ac elit imperdiet ullamcorper eget vitae ante. Nam elementum condimentum sagittis. Suspendisse nibh enim, ultricies nec iaculis eu, elementum in mauris. Proin faucibus rhoncus dolor in ultricies. Curabitur interdum justo non dui rutrum pharetra quis vitae risus. Mauris odio massa, luctus et odio vitae, porta aliquam massa. Sed aliquam ligula enim, a fringilla tellus vulputate at. Aenean vitae rutrum lectus.

\end{abstract}

%----------------------------------------------------------------------------------------
%   ARTICLE CONTENTS
%----------------------------------------------------------------------------------------

\begin{multicols}{2} % Two-column layout throughout the main article text

\section{Introduction}

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

%------------------------------------------------

\section{Methods}

\subsection{Parsing MIDI files}
Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

\subsection{Evaluating MIDI data}
Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

\subsection{Visualization and animation}
Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

%------------------------------------------------

\section{Discussion}

A good point of discussion here concerns the level of technical complexity of the pieces that were exhibited alongside VIZIDI in the “Generative Art \& Design” space. It was interesting to appreciate that people oftentimes reacted more positively to projects that favoured aesthetics. In that sense, a possible question would be: should visual impact be the goal of generative art? There is no doubt that this is a controversial issue. An engaging experience, a room full of colorful lights or a breathtaking animation are only possible if a good program has been compiled. Therefore, code and visuals must work in tandem. Reaching that balance is perhaps the most difficult part of any job of this nature.

%----------------------------------------------------------------------------------------
%   REFERENCE LIST
%----------------------------------------------------------------------------------------

%\bibliography{vizidi}

%----------------------------------------------------------------------------------------

\end{multicols}

\end{document}

Anmerkungen

Laden Sie beispielsweise ein Paket nicht zweimal geometry.
\thispagestylebetrifft nurDasSeitenstil.
\pagestylewirkt sich auf den Standardseitenstil aus.
Sie können nicht zwei Eingabecodierungen gleichzeitig verwenden, also sagen Sie nichts inputencanderes.

Answer

Das Beispiel ist alles andere als minimal, aber ich habe es trotzdem verwendet.

parskipist die empfohlene Methode, vertikale Abstände zur Absatztrennung zu verwenden:

\documentclass[twoside]{article}
\bibliographystyle{nature}
\usepackage{parskip}

\usepackage{lipsum} % Package to generate dummy text throughout this template

%\usepackage[sc]{mathpazo} % Use the Palatino font
\usepackage[utf8]{inputenc}% you cannot use 2 input encodings simultaneously!
%\usepackage[T1]{fontenc} % Use 8-bit encoding that has 256 glyphs
%\linespread{1.05} % Line spacing - Palatino needs more space between lines
\usepackage{microtype} % Slightly tweak font spacing for aesthetics

\usepackage[columnsep=28pt]{geometry} % Document margins % don't load geometry twice
\geometry{a4paper,left=25mm,right=25mm, top=25mm, bottom=25mm, headsep=10mm}% sets margin ratio again in effect

\usepackage{multicol} % Used for the two-column layout of the document
\usepackage{hyperref} % For hyperlinks in the PDF

\usepackage{paralist}% Used for the compactitem environment which makes bullet points with less space between them

\usepackage{abstract} % Allows abstract customization
\renewcommand{\abstractnamefont}{\normalfont\bfseries} % Set the "Abstract" text to bold

\usepackage{titlesec} % Allows customization of titles
\renewcommand\thesection{\Roman{section}.} % Roman numerals for the sections
\renewcommand\thesubsection{\thesection\Roman{subsection}}% Roman numerals for subsections
%\titleformat{\section}[block]{\large\scshape\centering}{\thesection.}{1em}{} % Change the look of the section titles
\titleformat{\subsection}[block]{\large}{\thesubsection.}{1em}{} % Change the look of the section titles

\usepackage{fancyhdr} % Headers and footers
\pagestyle{fancy} % All pages have headers and footers - THIS command sets the default page layout
\fancyhead{} % Blank out the default header
\fancyhead[C]{VIZIDI $\bullet$ Generative Art \& Design $\bullet$ Winter Semester 2013/2014}  %

%----------------------------------------------------------------------------------------
%   TITLE SECTION
%----------------------------------------------------------------------------------------

\title{\vspace{-15mm}\fontsize{24pt}{10pt}\selectfont\textbf{VIZIDI}} % Article title

\author{
\large
\textsc{David Beerman \& Antonio Palacios}\\[2mm] % Your name
\normalsize Hochschule für Künste Bremen \\ % Your institution
\href{mailto:[email protected]}{[email protected]}\\
\href{mailto:[email protected]}{[email protected]} % Your email address
\vspace{-5mm}
}
\date{}

%----------------------------------------------------------------------------------------

\begin{document}

\maketitle % Insert title

\thispagestyle{fancy} % All pages have headers and footers  - no this command only affects THIS page

%----------------------------------------------------------------------------------------
%   ABSTRACT
%----------------------------------------------------------------------------------------

\begin{abstract}

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

Donec vitae justo ac elit imperdiet ullamcorper eget vitae ante. Nam elementum condimentum sagittis. Suspendisse nibh enim, ultricies nec iaculis eu, elementum in mauris. Proin faucibus rhoncus dolor in ultricies. Curabitur interdum justo non dui rutrum pharetra quis vitae risus. Mauris odio massa, luctus et odio vitae, porta aliquam massa. Sed aliquam ligula enim, a fringilla tellus vulputate at. Aenean vitae rutrum lectus.

\end{abstract}

%----------------------------------------------------------------------------------------
%   ARTICLE CONTENTS
%----------------------------------------------------------------------------------------

\begin{multicols}{2} % Two-column layout throughout the main article text

\section{Introduction}

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

%------------------------------------------------

\section{Methods}

\subsection{Parsing MIDI files}
Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

\subsection{Evaluating MIDI data}
Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

\subsection{Visualization and animation}
Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

%------------------------------------------------

\section{Discussion}

A good point of discussion here concerns the level of technical complexity of the pieces that were exhibited alongside VIZIDI in the “Generative Art \& Design” space. It was interesting to appreciate that people oftentimes reacted more positively to projects that favoured aesthetics. In that sense, a possible question would be: should visual impact be the goal of generative art? There is no doubt that this is a controversial issue. An engaging experience, a room full of colorful lights or a breathtaking animation are only possible if a good program has been compiled. Therefore, code and visuals must work in tandem. Reaching that balance is perhaps the most difficult part of any job of this nature.

%----------------------------------------------------------------------------------------
%   REFERENCE LIST
%----------------------------------------------------------------------------------------

%\bibliography{vizidi}

%----------------------------------------------------------------------------------------

\end{multicols}

\end{document}

Anmerkungen

Laden Sie beispielsweise ein Paket nicht zweimal geometry.
\thispagestylebetrifft nurDasSeitenstil.
\pagestylewirkt sich auf den Standardseitenstil aus.
Sie können nicht zwei Eingabecodierungen gleichzeitig verwenden, also sagen Sie nichts inputencanderes.

Question 2

Obwohl Sie das Paket verwenden könnten parskip, wäre es hier am sichersten, zu zu wechseln scrartclund eine seiner parskipOptionen zu verwenden (es gibt halfund fulleinige +und *Varianten):

\documentclass[twoside,parskip=half]{scrartcl}
\bibliographystyle{nature}      

\usepackage{lipsum} % Package to generate dummy text throughout this template

%\usepackage[sc]{mathpazo} % Use the Palatino font
\usepackage[latin1,utf8]{inputenc}
%\usepackage[T1]{fontenc} % Use 8-bit encoding that has 256 glyphs
%\linespread{1.05} % Line spacing - Palatino needs more space between lines
\usepackage{microtype} % Slightly tweak font spacing for aesthetics

\usepackage[hmarginratio=1:1,columnsep=28pt]{geometry} % Document margins
\usepackage{geometry}
\geometry{a4paper,left=25mm,right=25mm, top=25mm, bottom=25mm, headsep=10mm} 

\usepackage{multicol} % Used for the two-column layout of the document
\usepackage{hyperref} % For hyperlinks in the PDF

\usepackage{paralist}% Used for the compactitem environment which makes bullet points with less space between them

\usepackage{abstract} % Allows abstract customization
\renewcommand{\abstractnamefont}{\normalfont\bfseries} % Set the "Abstract" text to bold

\usepackage{titlesec} % Allows customization of titles
\renewcommand\thesection{\Roman{section}.} % Roman numerals for the sections
\renewcommand\thesubsection{\thesection\Roman{subsection}}% Roman numerals for subsections
%\titleformat{\section}[block]{\large\scshape\centering}{\thesection.}{1em}{} % Change the look of the section titles
\titleformat{\subsection}[block]{\large}{\thesubsection.}{1em}{} % Change the look of the section titles

\usepackage{fancyhdr} % Headers and footers
\pagestyle{fancy} % All pages have headers and footers
\fancyhead{} % Blank out the default header
\fancyhead[C]{VIZIDI $\bullet$ Generative Art \& Design $\bullet$ Winter Semester 2013/2014}  % 

%----------------------------------------------------------------------------------------
%   TITLE SECTION
%----------------------------------------------------------------------------------------

\title{\vspace{-15mm}\fontsize{24pt}{10pt}\selectfont\textbf{VIZIDI}} % Article title

\author{
\large
\textsc{David Beerman \& Antonio Palacios}\\[2mm] % Your name
\normalsize Hochschule für Künste Bremen \\ % Your institution
\href{mailto:[email protected]}{[email protected]}\\
\href{mailto:[email protected]}{[email protected]} % Your email address
\vspace{-5mm}
}
\date{}

%----------------------------------------------------------------------------------------

\begin{document}

\maketitle % Insert title

\thispagestyle{fancy} % All pages have headers and footers

%----------------------------------------------------------------------------------------
%   ABSTRACT
%----------------------------------------------------------------------------------------

\begin{abstract}

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue. 

Donec vitae justo ac elit imperdiet ullamcorper eget vitae ante. Nam elementum condimentum sagittis. Suspendisse nibh enim, ultricies nec iaculis eu, elementum in mauris. Proin faucibus rhoncus dolor in ultricies. Curabitur interdum justo non dui rutrum pharetra quis vitae risus. Mauris odio massa, luctus et odio vitae, porta aliquam massa. Sed aliquam ligula enim, a fringilla tellus vulputate at. Aenean vitae rutrum lectus. 

\end{abstract}

%----------------------------------------------------------------------------------------
%   ARTICLE CONTENTS
%----------------------------------------------------------------------------------------

\begin{multicols}{2} % Two-column layout throughout the main article text

\section{Introduction}

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue. 

%------------------------------------------------

\section{Methods}

\subsection{Parsing MIDI files}
Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue. 

\subsection{Evaluating MIDI data}
Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue. 

\subsection{Visualization and animation}
Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue. 

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue. 

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue. 

%------------------------------------------------

\section{Discussion}

A good point of discussion here concerns the level of technical complexity of the pieces that were exhibited alongside VIZIDI in the “Generative Art \& Design” space. It was interesting to appreciate that people oftentimes reacted more positively to projects that favoured aesthetics. In that sense, a possible question would be: should visual impact be the goal of generative art? There is no doubt that this is a controversial issue. An engaging experience, a room full of colorful lights or a breathtaking animation are only possible if a good program has been compiled. Therefore, code and visuals must work in tandem. Reaching that balance is perhaps the most difficult part of any job of this nature.

%----------------------------------------------------------------------------------------
%   REFERENCE LIST
%----------------------------------------------------------------------------------------

%\bibliography{vizidi} 

%----------------------------------------------------------------------------------------

\end{multicols}

\end{document}

Wenn ich „sicherer“ sage, meine ich Folgendes: Wenn ich fulloder verwende half, beträgt der zusätzliche Abstand zwischen den Absätzen jeweils eine Zeile bzw. nur eine halbe Zeile. Abgesehen davon, dass die Klasse darauf achtet, den Abstand an unerwünschten Stellen (Listen und ToC, LoF, LoT beispielsweise) nicht zu vergrößern, können Sie mit den Modifikatoren *, +, Ohne Modifikator endet die letzte Zeile eines Absatzes mit einem Leerraum von mindestens 1em. Mit dem Pluszeichen beträgt der Leerraum ein Drittel und mit dem Sternchen ein Viertel der Breite einer normalen Zeile. Dadurch wird die Mehrdeutigkeit vermieden, die sich aus einer letzten Zeile ergeben kann, die bis zum rechten Rand direkt vor einem Seitenumbruch reicht.

Answer

Obwohl Sie das Paket verwenden könnten parskip, wäre es hier am sichersten, zu zu wechseln scrartclund eine seiner parskipOptionen zu verwenden (es gibt halfund fulleinige +und *Varianten):

\documentclass[twoside,parskip=half]{scrartcl}
\bibliographystyle{nature}      

\usepackage{lipsum} % Package to generate dummy text throughout this template

%\usepackage[sc]{mathpazo} % Use the Palatino font
\usepackage[latin1,utf8]{inputenc}
%\usepackage[T1]{fontenc} % Use 8-bit encoding that has 256 glyphs
%\linespread{1.05} % Line spacing - Palatino needs more space between lines
\usepackage{microtype} % Slightly tweak font spacing for aesthetics

\usepackage[hmarginratio=1:1,columnsep=28pt]{geometry} % Document margins
\usepackage{geometry}
\geometry{a4paper,left=25mm,right=25mm, top=25mm, bottom=25mm, headsep=10mm} 

\usepackage{multicol} % Used for the two-column layout of the document
\usepackage{hyperref} % For hyperlinks in the PDF

\usepackage{paralist}% Used for the compactitem environment which makes bullet points with less space between them

\usepackage{abstract} % Allows abstract customization
\renewcommand{\abstractnamefont}{\normalfont\bfseries} % Set the "Abstract" text to bold

\usepackage{titlesec} % Allows customization of titles
\renewcommand\thesection{\Roman{section}.} % Roman numerals for the sections
\renewcommand\thesubsection{\thesection\Roman{subsection}}% Roman numerals for subsections
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\fancyhead[C]{VIZIDI $\bullet$ Generative Art \& Design $\bullet$ Winter Semester 2013/2014}  % 

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\title{\vspace{-15mm}\fontsize{24pt}{10pt}\selectfont\textbf{VIZIDI}} % Article title

\author{
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\textsc{David Beerman \& Antonio Palacios}\\[2mm] % Your name
\normalsize Hochschule für Künste Bremen \\ % Your institution
\href{mailto:[email protected]}{[email protected]}\\
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\begin{document}

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%   ABSTRACT
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\begin{abstract}

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\section{Introduction}

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\section{Methods}

\subsection{Parsing MIDI files}
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\subsection{Evaluating MIDI data}
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\subsection{Visualization and animation}
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\section{Discussion}

A good point of discussion here concerns the level of technical complexity of the pieces that were exhibited alongside VIZIDI in the “Generative Art \& Design” space. It was interesting to appreciate that people oftentimes reacted more positively to projects that favoured aesthetics. In that sense, a possible question would be: should visual impact be the goal of generative art? There is no doubt that this is a controversial issue. An engaging experience, a room full of colorful lights or a breathtaking animation are only possible if a good program has been compiled. Therefore, code and visuals must work in tandem. Reaching that balance is perhaps the most difficult part of any job of this nature.

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Wenn ich „sicherer“ sage, meine ich Folgendes: Wenn ich fulloder verwende half, beträgt der zusätzliche Abstand zwischen den Absätzen jeweils eine Zeile bzw. nur eine halbe Zeile. Abgesehen davon, dass die Klasse darauf achtet, den Abstand an unerwünschten Stellen (Listen und ToC, LoF, LoT beispielsweise) nicht zu vergrößern, können Sie mit den Modifikatoren *, +, Ohne Modifikator endet die letzte Zeile eines Absatzes mit einem Leerraum von mindestens 1em. Mit dem Pluszeichen beträgt der Leerraum ein Drittel und mit dem Sternchen ein Viertel der Breite einer normalen Zeile. Dadurch wird die Mehrdeutigkeit vermieden, die sich aus einer letzten Zeile ergeben kann, die bis zum rechten Rand direkt vor einem Seitenumbruch reicht.

Anmerkungen

Antwort1

Anmerkungen

Antwort2

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