
Al usar el framed.sty
paquete para dibujar cuadros sombreados alrededor del texto con el shaded*
entorno, solo hay un parámetro para establecer el espaciado alrededor del texto. \FrameSep
ajusta simultáneamente el espaciado horizontal y vertical del texto desde los límites del cuadro sombreado. Al ser incómodo, colocar \FrameSep=1em
proporciona los márgenes izquierdo/derecho que quiero, mientras que \FrameSep=0.75em
proporciona el espacio superior/inferior que quiero.
¿Hay alguna forma de excavar en el interior framed.sty
para establecer el espaciado izquierda/derecha y superior/inferior de forma independiente?
Si (como sospecho) lo que hay que hacer es pasar a una opción mucho más flexible mdframed.sty
, ¿cómo se puede producir un entorno simple shaded*
con eso? -- Confieso que la documentación me resulta difícil de descifrar.
Respuesta1
Aquí hay un ejemplo simple:
\documentclass{article}
\usepackage{xcolor}
\usepackage{mdframed}
\begin{document}
\noindent Normal text here ...
\begin{mdframed}[leftmargin=1cm,
skipabove=1cm,
linecolor=blue,
backgroundcolor=red!10,
linewidth=2pt,
innerleftmargin=1em,
innerrightmargin=1em,
innertopmargin=.75em,
innerbottommargin=.75em,
]
If (as I suspect) the thing to do is to move to the much more flexible mdframed.sty, how does one produce a simple shaded* environment with that? -- I confess I'm finding the documentation hard to crack.
\end{mdframed}
\end{document}
No creo que la documentación sea complicada; consulte, por ejemplo, la página 6, donde puede encontrar la mayoría de las configuraciones para longitudes ajustables de mdframed
:
Respuesta2
Aquí hay una solución con framed
: Redefiní el shaded*
entorno para incorporar valores para \leftskip
y rightskip
. Tenga en cuenta que requiere una línea en blanco antes del siguiente texto.
\documentclass[11pt]{article}
\usepackage[utf8]{inputenc}
\usepackage[T1]{fontenc}
\usepackage{ebgaramond}
\usepackage[showframe]{geometry}
\usepackage[svgnames]{xcolor}
\usepackage{lettrine}
\usepackage{framed}
\renewenvironment{shaded*}{%
\def\FrameCommand{\fboxsep=\FrameSep\colorbox{shadecolor}}%
\MakeFramed{\advance\hsize-\width\FrameRestore}%
\leftskip 1.5em \rightskip 1.5em}%
{\endMakeFramed}%
\colorlet{shadecolor}{Gainsboro!60!MistyRose}
\begin{document}
\lettrine{H}{owever}, the egg only got larger and larger, and more and more human:
when she had come within a few yards of it, she saw that it had eyes
and a nose and mouth; and when she had come close to it, she saw clearly
that it was HUMPTY DUMPTY himself. ‘It can’t be anybody else!’ she said
to herself. ‘I’m as certain of it, as if his name were written all over
his face.’
\begin{shaded*}
\lettrine{I}{t} might have been written a hundred times, easily, on that enormous
face. Humpty Dumpty was sitting with his legs crossed, like a Turk, on
the top of a high wall--such a narrow one that Alice quite wondered how
he could keep his balance--and, as his eyes were steadily fixed in the
opposite direction, and he didn’t take the least notice of her, she
thought he must be a stuffed figure after all.
‘And how exactly like an egg he is!’ she said aloud, standing with her
hands ready to catch him, for she was every moment expecting him to
fall.
‘It’s VERY provoking,’ Humpty Dumpty said after a long silence, looking
away from Alice as he spoke, ‘to be called an egg--VERY!’
‘I said you LOOKED like an egg, Sir,’ Alice gently explained. ‘And some
eggs are very pretty, you know’ she added, hoping to turn her remark
into a sort of a compliment.
\end{shaded*}
‘Some people,’ said Humpty Dumpty, looking away from her as usual, ‘have
no more sense than a baby!’
\end{document}