노트

Question 1

예제는 거의 최소화되지 않았지만 어쨌든 사용했습니다.

parskip단락 구분을 위해 세로 간격을 사용하는 권장 방법은 다음과 같습니다.

\documentclass[twoside]{article}
\bibliographystyle{nature}
\usepackage{parskip}

\usepackage{lipsum} % Package to generate dummy text throughout this template

%\usepackage[sc]{mathpazo} % Use the Palatino font
\usepackage[utf8]{inputenc}% you cannot use 2 input encodings simultaneously!
%\usepackage[T1]{fontenc} % Use 8-bit encoding that has 256 glyphs
%\linespread{1.05} % Line spacing - Palatino needs more space between lines
\usepackage{microtype} % Slightly tweak font spacing for aesthetics

\usepackage[columnsep=28pt]{geometry} % Document margins % don't load geometry twice
\geometry{a4paper,left=25mm,right=25mm, top=25mm, bottom=25mm, headsep=10mm}% sets margin ratio again in effect

\usepackage{multicol} % Used for the two-column layout of the document
\usepackage{hyperref} % For hyperlinks in the PDF

\usepackage{paralist}% Used for the compactitem environment which makes bullet points with less space between them

\usepackage{abstract} % Allows abstract customization
\renewcommand{\abstractnamefont}{\normalfont\bfseries} % Set the "Abstract" text to bold

\usepackage{titlesec} % Allows customization of titles
\renewcommand\thesection{\Roman{section}.} % Roman numerals for the sections
\renewcommand\thesubsection{\thesection\Roman{subsection}}% Roman numerals for subsections
%\titleformat{\section}[block]{\large\scshape\centering}{\thesection.}{1em}{} % Change the look of the section titles
\titleformat{\subsection}[block]{\large}{\thesubsection.}{1em}{} % Change the look of the section titles

\usepackage{fancyhdr} % Headers and footers
\pagestyle{fancy} % All pages have headers and footers - THIS command sets the default page layout
\fancyhead{} % Blank out the default header
\fancyhead[C]{VIZIDI $\bullet$ Generative Art \& Design $\bullet$ Winter Semester 2013/2014}  %

%----------------------------------------------------------------------------------------
%   TITLE SECTION
%----------------------------------------------------------------------------------------

\title{\vspace{-15mm}\fontsize{24pt}{10pt}\selectfont\textbf{VIZIDI}} % Article title

\author{
\large
\textsc{David Beerman \& Antonio Palacios}\\[2mm] % Your name
\normalsize Hochschule für Künste Bremen \\ % Your institution
\href{mailto:[email protected]}{[email protected]}\\
\href{mailto:[email protected]}{[email protected]} % Your email address
\vspace{-5mm}
}
\date{}

%----------------------------------------------------------------------------------------

\begin{document}

\maketitle % Insert title

\thispagestyle{fancy} % All pages have headers and footers  - no this command only affects THIS page

%----------------------------------------------------------------------------------------
%   ABSTRACT
%----------------------------------------------------------------------------------------

\begin{abstract}

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

Donec vitae justo ac elit imperdiet ullamcorper eget vitae ante. Nam elementum condimentum sagittis. Suspendisse nibh enim, ultricies nec iaculis eu, elementum in mauris. Proin faucibus rhoncus dolor in ultricies. Curabitur interdum justo non dui rutrum pharetra quis vitae risus. Mauris odio massa, luctus et odio vitae, porta aliquam massa. Sed aliquam ligula enim, a fringilla tellus vulputate at. Aenean vitae rutrum lectus.

\end{abstract}

%----------------------------------------------------------------------------------------
%   ARTICLE CONTENTS
%----------------------------------------------------------------------------------------

\begin{multicols}{2} % Two-column layout throughout the main article text

\section{Introduction}

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

%------------------------------------------------

\section{Methods}

\subsection{Parsing MIDI files}
Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

\subsection{Evaluating MIDI data}
Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

\subsection{Visualization and animation}
Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

%------------------------------------------------

\section{Discussion}

A good point of discussion here concerns the level of technical complexity of the pieces that were exhibited alongside VIZIDI in the “Generative Art \& Design” space. It was interesting to appreciate that people oftentimes reacted more positively to projects that favoured aesthetics. In that sense, a possible question would be: should visual impact be the goal of generative art? There is no doubt that this is a controversial issue. An engaging experience, a room full of colorful lights or a breathtaking animation are only possible if a good program has been compiled. Therefore, code and visuals must work in tandem. Reaching that balance is perhaps the most difficult part of any job of this nature.

%----------------------------------------------------------------------------------------
%   REFERENCE LIST
%----------------------------------------------------------------------------------------

%\bibliography{vizidi}

%----------------------------------------------------------------------------------------

\end{multicols}

\end{document}

파스킵

노트

예를 들어 패키지를 두 번 로드하지 마십시오 geometry.
\thispagestyle영향을 미친다이것페이지 스타일.
\pagestyle기본 페이지 스타일에 영향을 미칩니다.
2개의 입력 인코딩을 동시에 사용할 수 없으므로 inputenc달리 언급하지 마십시오.

Answer

예제는 거의 최소화되지 않았지만 어쨌든 사용했습니다.

parskip단락 구분을 위해 세로 간격을 사용하는 권장 방법은 다음과 같습니다.

\documentclass[twoside]{article}
\bibliographystyle{nature}
\usepackage{parskip}

\usepackage{lipsum} % Package to generate dummy text throughout this template

%\usepackage[sc]{mathpazo} % Use the Palatino font
\usepackage[utf8]{inputenc}% you cannot use 2 input encodings simultaneously!
%\usepackage[T1]{fontenc} % Use 8-bit encoding that has 256 glyphs
%\linespread{1.05} % Line spacing - Palatino needs more space between lines
\usepackage{microtype} % Slightly tweak font spacing for aesthetics

\usepackage[columnsep=28pt]{geometry} % Document margins % don't load geometry twice
\geometry{a4paper,left=25mm,right=25mm, top=25mm, bottom=25mm, headsep=10mm}% sets margin ratio again in effect

\usepackage{multicol} % Used for the two-column layout of the document
\usepackage{hyperref} % For hyperlinks in the PDF

\usepackage{paralist}% Used for the compactitem environment which makes bullet points with less space between them

\usepackage{abstract} % Allows abstract customization
\renewcommand{\abstractnamefont}{\normalfont\bfseries} % Set the "Abstract" text to bold

\usepackage{titlesec} % Allows customization of titles
\renewcommand\thesection{\Roman{section}.} % Roman numerals for the sections
\renewcommand\thesubsection{\thesection\Roman{subsection}}% Roman numerals for subsections
%\titleformat{\section}[block]{\large\scshape\centering}{\thesection.}{1em}{} % Change the look of the section titles
\titleformat{\subsection}[block]{\large}{\thesubsection.}{1em}{} % Change the look of the section titles

\usepackage{fancyhdr} % Headers and footers
\pagestyle{fancy} % All pages have headers and footers - THIS command sets the default page layout
\fancyhead{} % Blank out the default header
\fancyhead[C]{VIZIDI $\bullet$ Generative Art \& Design $\bullet$ Winter Semester 2013/2014}  %

%----------------------------------------------------------------------------------------
%   TITLE SECTION
%----------------------------------------------------------------------------------------

\title{\vspace{-15mm}\fontsize{24pt}{10pt}\selectfont\textbf{VIZIDI}} % Article title

\author{
\large
\textsc{David Beerman \& Antonio Palacios}\\[2mm] % Your name
\normalsize Hochschule für Künste Bremen \\ % Your institution
\href{mailto:[email protected]}{[email protected]}\\
\href{mailto:[email protected]}{[email protected]} % Your email address
\vspace{-5mm}
}
\date{}

%----------------------------------------------------------------------------------------

\begin{document}

\maketitle % Insert title

\thispagestyle{fancy} % All pages have headers and footers  - no this command only affects THIS page

%----------------------------------------------------------------------------------------
%   ABSTRACT
%----------------------------------------------------------------------------------------

\begin{abstract}

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

Donec vitae justo ac elit imperdiet ullamcorper eget vitae ante. Nam elementum condimentum sagittis. Suspendisse nibh enim, ultricies nec iaculis eu, elementum in mauris. Proin faucibus rhoncus dolor in ultricies. Curabitur interdum justo non dui rutrum pharetra quis vitae risus. Mauris odio massa, luctus et odio vitae, porta aliquam massa. Sed aliquam ligula enim, a fringilla tellus vulputate at. Aenean vitae rutrum lectus.

\end{abstract}

%----------------------------------------------------------------------------------------
%   ARTICLE CONTENTS
%----------------------------------------------------------------------------------------

\begin{multicols}{2} % Two-column layout throughout the main article text

\section{Introduction}

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

%------------------------------------------------

\section{Methods}

\subsection{Parsing MIDI files}
Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

\subsection{Evaluating MIDI data}
Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

\subsection{Visualization and animation}
Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

%------------------------------------------------

\section{Discussion}

A good point of discussion here concerns the level of technical complexity of the pieces that were exhibited alongside VIZIDI in the “Generative Art \& Design” space. It was interesting to appreciate that people oftentimes reacted more positively to projects that favoured aesthetics. In that sense, a possible question would be: should visual impact be the goal of generative art? There is no doubt that this is a controversial issue. An engaging experience, a room full of colorful lights or a breathtaking animation are only possible if a good program has been compiled. Therefore, code and visuals must work in tandem. Reaching that balance is perhaps the most difficult part of any job of this nature.

%----------------------------------------------------------------------------------------
%   REFERENCE LIST
%----------------------------------------------------------------------------------------

%\bibliography{vizidi}

%----------------------------------------------------------------------------------------

\end{multicols}

\end{document}

파스킵

노트

예를 들어 패키지를 두 번 로드하지 마십시오 geometry.
\thispagestyle영향을 미친다이것페이지 스타일.
\pagestyle기본 페이지 스타일에 영향을 미칩니다.
2개의 입력 인코딩을 동시에 사용할 수 없으므로 inputenc달리 언급하지 마십시오.

Question 2

패키지 를 사용할 수도 있지만 여기서 가장 안전한 방법은 해당 옵션 중 하나로 parskip전환하여 사용하는 것입니다 ( , 일부 및 변형이 있음 ).scrartclparskiphalffull+*

\documentclass[twoside,parskip=half]{scrartcl}
\bibliographystyle{nature}      

\usepackage{lipsum} % Package to generate dummy text throughout this template

%\usepackage[sc]{mathpazo} % Use the Palatino font
\usepackage[latin1,utf8]{inputenc}
%\usepackage[T1]{fontenc} % Use 8-bit encoding that has 256 glyphs
%\linespread{1.05} % Line spacing - Palatino needs more space between lines
\usepackage{microtype} % Slightly tweak font spacing for aesthetics

\usepackage[hmarginratio=1:1,columnsep=28pt]{geometry} % Document margins
\usepackage{geometry}
\geometry{a4paper,left=25mm,right=25mm, top=25mm, bottom=25mm, headsep=10mm} 

\usepackage{multicol} % Used for the two-column layout of the document
\usepackage{hyperref} % For hyperlinks in the PDF

\usepackage{paralist}% Used for the compactitem environment which makes bullet points with less space between them

\usepackage{abstract} % Allows abstract customization
\renewcommand{\abstractnamefont}{\normalfont\bfseries} % Set the "Abstract" text to bold

\usepackage{titlesec} % Allows customization of titles
\renewcommand\thesection{\Roman{section}.} % Roman numerals for the sections
\renewcommand\thesubsection{\thesection\Roman{subsection}}% Roman numerals for subsections
%\titleformat{\section}[block]{\large\scshape\centering}{\thesection.}{1em}{} % Change the look of the section titles
\titleformat{\subsection}[block]{\large}{\thesubsection.}{1em}{} % Change the look of the section titles

\usepackage{fancyhdr} % Headers and footers
\pagestyle{fancy} % All pages have headers and footers
\fancyhead{} % Blank out the default header
\fancyhead[C]{VIZIDI $\bullet$ Generative Art \& Design $\bullet$ Winter Semester 2013/2014}  % 

%----------------------------------------------------------------------------------------
%   TITLE SECTION
%----------------------------------------------------------------------------------------

\title{\vspace{-15mm}\fontsize{24pt}{10pt}\selectfont\textbf{VIZIDI}} % Article title

\author{
\large
\textsc{David Beerman \& Antonio Palacios}\\[2mm] % Your name
\normalsize Hochschule für Künste Bremen \\ % Your institution
\href{mailto:[email protected]}{[email protected]}\\
\href{mailto:[email protected]}{[email protected]} % Your email address
\vspace{-5mm}
}
\date{}

%----------------------------------------------------------------------------------------

\begin{document}

\maketitle % Insert title

\thispagestyle{fancy} % All pages have headers and footers

%----------------------------------------------------------------------------------------
%   ABSTRACT
%----------------------------------------------------------------------------------------

\begin{abstract}

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue. 

Donec vitae justo ac elit imperdiet ullamcorper eget vitae ante. Nam elementum condimentum sagittis. Suspendisse nibh enim, ultricies nec iaculis eu, elementum in mauris. Proin faucibus rhoncus dolor in ultricies. Curabitur interdum justo non dui rutrum pharetra quis vitae risus. Mauris odio massa, luctus et odio vitae, porta aliquam massa. Sed aliquam ligula enim, a fringilla tellus vulputate at. Aenean vitae rutrum lectus. 

\end{abstract}

%----------------------------------------------------------------------------------------
%   ARTICLE CONTENTS
%----------------------------------------------------------------------------------------

\begin{multicols}{2} % Two-column layout throughout the main article text

\section{Introduction}

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue. 

%------------------------------------------------

\section{Methods}

\subsection{Parsing MIDI files}
Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue. 

\subsection{Evaluating MIDI data}
Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue. 

\subsection{Visualization and animation}
Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue. 

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue. 

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue. 

%------------------------------------------------

\section{Discussion}

A good point of discussion here concerns the level of technical complexity of the pieces that were exhibited alongside VIZIDI in the “Generative Art \& Design” space. It was interesting to appreciate that people oftentimes reacted more positively to projects that favoured aesthetics. In that sense, a possible question would be: should visual impact be the goal of generative art? There is no doubt that this is a controversial issue. An engaging experience, a room full of colorful lights or a breathtaking animation are only possible if a good program has been compiled. Therefore, code and visuals must work in tandem. Reaching that balance is perhaps the most difficult part of any job of this nature.

%----------------------------------------------------------------------------------------
%   REFERENCE LIST
%----------------------------------------------------------------------------------------

%\bibliography{vizidi} 

%----------------------------------------------------------------------------------------

\end{multicols}

\end{document}

"더 안전하다"는 것은 다음을 의미합니다. full또는 을 사용하면 half단락 사이의 추가 구분이 각각 한 줄 또는 한 줄의 절반만 된다는 의미입니다. 원하지 않는 위치(예: 목록 및 ToC, LoF, LoT)에서 간격을 늘리지 않도록 주의하는 클래스 외에도 수정자 *, +, 수정자를 사용하지 않으면 단락의 마지막 줄은 최소 1em. 더하기 문자를 사용하면 공백 크기가 일반 선 너비의 1/3이 되고 별표를 사용하면 4분의 1이 됩니다. 이렇게 하면 페이지 나누기 직전에 오른쪽 여백까지 확장되는 마지막 줄로 인해 발생할 수 있는 모호성을 방지할 수 있습니다.

Answer

패키지 를 사용할 수도 있지만 여기서 가장 안전한 방법은 해당 옵션 중 하나로 parskip전환하여 사용하는 것입니다 ( , 일부 및 변형이 있음 ).scrartclparskiphalffull+*

\documentclass[twoside,parskip=half]{scrartcl}
\bibliographystyle{nature}      

\usepackage{lipsum} % Package to generate dummy text throughout this template

%\usepackage[sc]{mathpazo} % Use the Palatino font
\usepackage[latin1,utf8]{inputenc}
%\usepackage[T1]{fontenc} % Use 8-bit encoding that has 256 glyphs
%\linespread{1.05} % Line spacing - Palatino needs more space between lines
\usepackage{microtype} % Slightly tweak font spacing for aesthetics

\usepackage[hmarginratio=1:1,columnsep=28pt]{geometry} % Document margins
\usepackage{geometry}
\geometry{a4paper,left=25mm,right=25mm, top=25mm, bottom=25mm, headsep=10mm} 

\usepackage{multicol} % Used for the two-column layout of the document
\usepackage{hyperref} % For hyperlinks in the PDF

\usepackage{paralist}% Used for the compactitem environment which makes bullet points with less space between them

\usepackage{abstract} % Allows abstract customization
\renewcommand{\abstractnamefont}{\normalfont\bfseries} % Set the "Abstract" text to bold

\usepackage{titlesec} % Allows customization of titles
\renewcommand\thesection{\Roman{section}.} % Roman numerals for the sections
\renewcommand\thesubsection{\thesection\Roman{subsection}}% Roman numerals for subsections
%\titleformat{\section}[block]{\large\scshape\centering}{\thesection.}{1em}{} % Change the look of the section titles
\titleformat{\subsection}[block]{\large}{\thesubsection.}{1em}{} % Change the look of the section titles

\usepackage{fancyhdr} % Headers and footers
\pagestyle{fancy} % All pages have headers and footers
\fancyhead{} % Blank out the default header
\fancyhead[C]{VIZIDI $\bullet$ Generative Art \& Design $\bullet$ Winter Semester 2013/2014}  % 

%----------------------------------------------------------------------------------------
%   TITLE SECTION
%----------------------------------------------------------------------------------------

\title{\vspace{-15mm}\fontsize{24pt}{10pt}\selectfont\textbf{VIZIDI}} % Article title

\author{
\large
\textsc{David Beerman \& Antonio Palacios}\\[2mm] % Your name
\normalsize Hochschule für Künste Bremen \\ % Your institution
\href{mailto:[email protected]}{[email protected]}\\
\href{mailto:[email protected]}{[email protected]} % Your email address
\vspace{-5mm}
}
\date{}

%----------------------------------------------------------------------------------------

\begin{document}

\maketitle % Insert title

\thispagestyle{fancy} % All pages have headers and footers

%----------------------------------------------------------------------------------------
%   ABSTRACT
%----------------------------------------------------------------------------------------

\begin{abstract}

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue. 

Donec vitae justo ac elit imperdiet ullamcorper eget vitae ante. Nam elementum condimentum sagittis. Suspendisse nibh enim, ultricies nec iaculis eu, elementum in mauris. Proin faucibus rhoncus dolor in ultricies. Curabitur interdum justo non dui rutrum pharetra quis vitae risus. Mauris odio massa, luctus et odio vitae, porta aliquam massa. Sed aliquam ligula enim, a fringilla tellus vulputate at. Aenean vitae rutrum lectus. 

\end{abstract}

%----------------------------------------------------------------------------------------
%   ARTICLE CONTENTS
%----------------------------------------------------------------------------------------

\begin{multicols}{2} % Two-column layout throughout the main article text

\section{Introduction}

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue. 

%------------------------------------------------

\section{Methods}

\subsection{Parsing MIDI files}
Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue. 

\subsection{Evaluating MIDI data}
Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue. 

\subsection{Visualization and animation}
Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue. 

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue. 

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue. 

%------------------------------------------------

\section{Discussion}

A good point of discussion here concerns the level of technical complexity of the pieces that were exhibited alongside VIZIDI in the “Generative Art \& Design” space. It was interesting to appreciate that people oftentimes reacted more positively to projects that favoured aesthetics. In that sense, a possible question would be: should visual impact be the goal of generative art? There is no doubt that this is a controversial issue. An engaging experience, a room full of colorful lights or a breathtaking animation are only possible if a good program has been compiled. Therefore, code and visuals must work in tandem. Reaching that balance is perhaps the most difficult part of any job of this nature.

%----------------------------------------------------------------------------------------
%   REFERENCE LIST
%----------------------------------------------------------------------------------------

%\bibliography{vizidi} 

%----------------------------------------------------------------------------------------

\end{multicols}

\end{document}

"더 안전하다"는 것은 다음을 의미합니다. full또는 을 사용하면 half단락 사이의 추가 구분이 각각 한 줄 또는 한 줄의 절반만 된다는 의미입니다. 원하지 않는 위치(예: 목록 및 ToC, LoF, LoT)에서 간격을 늘리지 않도록 주의하는 클래스 외에도 수정자 *, +, 수정자를 사용하지 않으면 단락의 마지막 줄은 최소 1em. 더하기 문자를 사용하면 공백 크기가 일반 선 너비의 1/3이 되고 별표를 사용하면 4분의 1이 됩니다. 이렇게 하면 페이지 나누기 직전에 오른쪽 여백까지 확장되는 마지막 줄로 인해 발생할 수 있는 모호성을 방지할 수 있습니다.

노트

답변1

노트

답변2

관련 정보