Подразделы, связанные с разделами

Подразделы, связанные с разделами

Я хотел бы узнать, возможно ли улучшить стиль подразделов моего документа. Как вы видите, я хочу иметь до четырех подразделов в главе «Методы». Например, в документе указано «II. Выбор активов», когда идеальным было бы «I.II. Выбор активов» (потому что он относится к определенной главе). Возможно ли это?

Вот мой код:

\AtBeginDocument{\flushbottom}
\documentclass[10pt,a4paper,twocolumn]{scrartcl}
\bibliographystyle{nature}      
\setlength{\columnsep}{30pt}
\usepackage{geometry}
\geometry{a4paper,left=25mm,right=25mm, top=25mm, bottom=25mm, headsep=10mm} 
\setlength{\parskip}{\the\baselineskip plus 2pt minus 1pt}
\setlength{\parindent}{0pt}
\usepackage[T1]{fontenc}
\usepackage[latin1,utf8]{inputenc}
\usepackage{lmodern}
\usepackage[ngerman,english]{babel} 
\usepackage[english,ngerman]{babel}     
\usepackage[tracking=true]{microtype}                   
\usepackage{dsfont}
\usepackage{hyperref}
\usepackage{accents}
\usepackage{textcomp}
\usepackage{url}

%----------------------------------------------------------------------------------------
%   HEADER
%----------------------------------------------------------------------------------------
\usepackage{fancyhdr} 
% All pages have headers and footers
\pagestyle{fancy} 
% Blank out the default header
\fancyhead{}
% Custom header text
\fancyhead[C]{ABC $\bullet$ ABC $\bullet$ ABC} 
%----------------------------------------------------------------------------------------

%----------------------------------------------------------------------------------------
%   TITLES
%----------------------------------------------------------------------------------------
% Allows customization of titles
\usepackage{titlesec} 
% Roman numerals for the sections
\renewcommand\thesection{\Roman{section}.} 
% Arabic numerals for subsections
\renewcommand\thesubsection{\Roman{subsection}.}
%----------------------------------------------------------------------------------------

%----------------------------------------------------------------------------------------
%   REFERENCE HYPERLINK SMALLER FONT
%----------------------------------------------------------------------------------------
\makeatletter
\def\url@leostyle{
  \@ifundefined{selectfont}{\def\UrlFont{\sffamily}}{\def\UrlFont{\small\ttfamily}}}
\makeatother
\urlstyle{leo}
%----------------------------------------------------------------------------------------

\begin{document}
% starts supressing the twoculomn environment, from here on it will we one column
\twocolumn[\begin{@twocolumnfalse}

% make a section
\section*{\huge\scshape\centering{The Mash-Up Experiment}}
\vspace{4mm}    
\normalsize

\begin{center}
\large\textsc{XXX XXX}\\
\vspace{4mm}  
University

\href{mailto:[email protected]}{[email protected]}
\end{center}
\vspace{6mm}

\section*{Abstract} 
“The Mash-Up Experiment” is a six-minute musical piece. 

\vspace{8mm}

%begins tabular
\begin{tabular}{p{1,5cm}p{12,55cm}p{1,5cm}}   
&\textbf{Keywords}: authorship\\
\end{tabular} 
% ends tabular

\vspace{11mm}

% ends suppressing the twocolumn environment, from here on it will be twocolumn
\end{@twocolumnfalse}]  

\section{Methods} % make section 
\subsection{Foundations}
In the matter of the sonic sources included in this song, more than thirty different tracks were utilised. The scope of genres and authors was motley, ranging from classical orchestration to bolero, from old singers to contemporary pop acts. Nonetheless, a great percentage of these tunes were taken from the works of James Bernard, who composed several scores for Hammer Films in the last millennium. He is the man behind the music from classic horror flicks such as “The Quartermass Experiment (1955),“ ”The Devil Rides Out (1968),” and “Scars of Dracula (1970).” 

\subsection{Selection of assets}
In the matter of the sonic sources included in this song, more than thirty different tracks were utilised. The scope of genres and authors was motley, ranging from classical orchestration to bolero, from old singers to contemporary pop acts. Nonetheless, a great percentage of these tunes were taken from the works of James Bernard, who composed several scores for Hammer Films in the last millennium. He is the man behind the music from classic horror flicks such as “The Quartermass Experiment (1955),“ ”The Devil Rides Out (1968),” and “Scars of Dracula (1970).” 

\subsection{Composition and arrangement}
In the matter of the sonic sources included in this song, more than thirty different tracks were utilised. The scope of genres and authors was motley, ranging from classical orchestration to bolero, from old singers to contemporary pop acts. Nonetheless, a great percentage of these tunes were taken from the works of James Bernard, who composed several scores for Hammer Films in the last millennium. He is the man behind the music from classic horror flicks such as “The Quartermass Experiment (1955),“ ”The Devil Rides Out (1968),” and “Scars of Dracula (1970).” 

\end{document}

решение1

Желаемое поведение

I.II.Выбор активов

можно получить, изменив следующую строку

\renewcommand\thesubsection{\Roman{subsection}.}

к

\renewcommand\thesubsection{\thesection\Roman{subsection}.}

Хотя оговорки, упомянутые в комментариях, все еще актуальны.

Связанный контент