Примечания

Question 1

Пример вряд ли можно назвать минимальным, но я все равно его приведу.

parskipРекомендуемый способ использования вертикального интервала для разделения абзацев:

\documentclass[twoside]{article}
\bibliographystyle{nature}
\usepackage{parskip}

\usepackage{lipsum} % Package to generate dummy text throughout this template

%\usepackage[sc]{mathpazo} % Use the Palatino font
\usepackage[utf8]{inputenc}% you cannot use 2 input encodings simultaneously!
%\usepackage[T1]{fontenc} % Use 8-bit encoding that has 256 glyphs
%\linespread{1.05} % Line spacing - Palatino needs more space between lines
\usepackage{microtype} % Slightly tweak font spacing for aesthetics

\usepackage[columnsep=28pt]{geometry} % Document margins % don't load geometry twice
\geometry{a4paper,left=25mm,right=25mm, top=25mm, bottom=25mm, headsep=10mm}% sets margin ratio again in effect

\usepackage{multicol} % Used for the two-column layout of the document
\usepackage{hyperref} % For hyperlinks in the PDF

\usepackage{paralist}% Used for the compactitem environment which makes bullet points with less space between them

\usepackage{abstract} % Allows abstract customization
\renewcommand{\abstractnamefont}{\normalfont\bfseries} % Set the "Abstract" text to bold

\usepackage{titlesec} % Allows customization of titles
\renewcommand\thesection{\Roman{section}.} % Roman numerals for the sections
\renewcommand\thesubsection{\thesection\Roman{subsection}}% Roman numerals for subsections
%\titleformat{\section}[block]{\large\scshape\centering}{\thesection.}{1em}{} % Change the look of the section titles
\titleformat{\subsection}[block]{\large}{\thesubsection.}{1em}{} % Change the look of the section titles

\usepackage{fancyhdr} % Headers and footers
\pagestyle{fancy} % All pages have headers and footers - THIS command sets the default page layout
\fancyhead{} % Blank out the default header
\fancyhead[C]{VIZIDI $\bullet$ Generative Art \& Design $\bullet$ Winter Semester 2013/2014}  %

%----------------------------------------------------------------------------------------
%   TITLE SECTION
%----------------------------------------------------------------------------------------

\title{\vspace{-15mm}\fontsize{24pt}{10pt}\selectfont\textbf{VIZIDI}} % Article title

\author{
\large
\textsc{David Beerman \& Antonio Palacios}\\[2mm] % Your name
\normalsize Hochschule für Künste Bremen \\ % Your institution
\href{mailto:[email protected]}{[email protected]}\\
\href{mailto:[email protected]}{[email protected]} % Your email address
\vspace{-5mm}
}
\date{}

%----------------------------------------------------------------------------------------

\begin{document}

\maketitle % Insert title

\thispagestyle{fancy} % All pages have headers and footers  - no this command only affects THIS page

%----------------------------------------------------------------------------------------
%   ABSTRACT
%----------------------------------------------------------------------------------------

\begin{abstract}

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

Donec vitae justo ac elit imperdiet ullamcorper eget vitae ante. Nam elementum condimentum sagittis. Suspendisse nibh enim, ultricies nec iaculis eu, elementum in mauris. Proin faucibus rhoncus dolor in ultricies. Curabitur interdum justo non dui rutrum pharetra quis vitae risus. Mauris odio massa, luctus et odio vitae, porta aliquam massa. Sed aliquam ligula enim, a fringilla tellus vulputate at. Aenean vitae rutrum lectus.

\end{abstract}

%----------------------------------------------------------------------------------------
%   ARTICLE CONTENTS
%----------------------------------------------------------------------------------------

\begin{multicols}{2} % Two-column layout throughout the main article text

\section{Introduction}

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

%------------------------------------------------

\section{Methods}

\subsection{Parsing MIDI files}
Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

\subsection{Evaluating MIDI data}
Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

\subsection{Visualization and animation}
Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

%------------------------------------------------

\section{Discussion}

A good point of discussion here concerns the level of technical complexity of the pieces that were exhibited alongside VIZIDI in the “Generative Art \& Design” space. It was interesting to appreciate that people oftentimes reacted more positively to projects that favoured aesthetics. In that sense, a possible question would be: should visual impact be the goal of generative art? There is no doubt that this is a controversial issue. An engaging experience, a room full of colorful lights or a breathtaking animation are only possible if a good program has been compiled. Therefore, code and visuals must work in tandem. Reaching that balance is perhaps the most difficult part of any job of this nature.

%----------------------------------------------------------------------------------------
%   REFERENCE LIST
%----------------------------------------------------------------------------------------

%\bibliography{vizidi}

%----------------------------------------------------------------------------------------

\end{multicols}

\end{document}

парскип

Примечания

Не загружайте пакет дважды, например geometry.
\thispagestyleвлияет толькоэтотстиль страницы.
\pagestyleвлияет на стиль страницы по умолчанию.
Вы не можете использовать 2 входных кодировки одновременно, так что не говорите inputencоб обратном.

Answer

Пример вряд ли можно назвать минимальным, но я все равно его приведу.

parskipРекомендуемый способ использования вертикального интервала для разделения абзацев:

\documentclass[twoside]{article}
\bibliographystyle{nature}
\usepackage{parskip}

\usepackage{lipsum} % Package to generate dummy text throughout this template

%\usepackage[sc]{mathpazo} % Use the Palatino font
\usepackage[utf8]{inputenc}% you cannot use 2 input encodings simultaneously!
%\usepackage[T1]{fontenc} % Use 8-bit encoding that has 256 glyphs
%\linespread{1.05} % Line spacing - Palatino needs more space between lines
\usepackage{microtype} % Slightly tweak font spacing for aesthetics

\usepackage[columnsep=28pt]{geometry} % Document margins % don't load geometry twice
\geometry{a4paper,left=25mm,right=25mm, top=25mm, bottom=25mm, headsep=10mm}% sets margin ratio again in effect

\usepackage{multicol} % Used for the two-column layout of the document
\usepackage{hyperref} % For hyperlinks in the PDF

\usepackage{paralist}% Used for the compactitem environment which makes bullet points with less space between them

\usepackage{abstract} % Allows abstract customization
\renewcommand{\abstractnamefont}{\normalfont\bfseries} % Set the "Abstract" text to bold

\usepackage{titlesec} % Allows customization of titles
\renewcommand\thesection{\Roman{section}.} % Roman numerals for the sections
\renewcommand\thesubsection{\thesection\Roman{subsection}}% Roman numerals for subsections
%\titleformat{\section}[block]{\large\scshape\centering}{\thesection.}{1em}{} % Change the look of the section titles
\titleformat{\subsection}[block]{\large}{\thesubsection.}{1em}{} % Change the look of the section titles

\usepackage{fancyhdr} % Headers and footers
\pagestyle{fancy} % All pages have headers and footers - THIS command sets the default page layout
\fancyhead{} % Blank out the default header
\fancyhead[C]{VIZIDI $\bullet$ Generative Art \& Design $\bullet$ Winter Semester 2013/2014}  %

%----------------------------------------------------------------------------------------
%   TITLE SECTION
%----------------------------------------------------------------------------------------

\title{\vspace{-15mm}\fontsize{24pt}{10pt}\selectfont\textbf{VIZIDI}} % Article title

\author{
\large
\textsc{David Beerman \& Antonio Palacios}\\[2mm] % Your name
\normalsize Hochschule für Künste Bremen \\ % Your institution
\href{mailto:[email protected]}{[email protected]}\\
\href{mailto:[email protected]}{[email protected]} % Your email address
\vspace{-5mm}
}
\date{}

%----------------------------------------------------------------------------------------

\begin{document}

\maketitle % Insert title

\thispagestyle{fancy} % All pages have headers and footers  - no this command only affects THIS page

%----------------------------------------------------------------------------------------
%   ABSTRACT
%----------------------------------------------------------------------------------------

\begin{abstract}

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

Donec vitae justo ac elit imperdiet ullamcorper eget vitae ante. Nam elementum condimentum sagittis. Suspendisse nibh enim, ultricies nec iaculis eu, elementum in mauris. Proin faucibus rhoncus dolor in ultricies. Curabitur interdum justo non dui rutrum pharetra quis vitae risus. Mauris odio massa, luctus et odio vitae, porta aliquam massa. Sed aliquam ligula enim, a fringilla tellus vulputate at. Aenean vitae rutrum lectus.

\end{abstract}

%----------------------------------------------------------------------------------------
%   ARTICLE CONTENTS
%----------------------------------------------------------------------------------------

\begin{multicols}{2} % Two-column layout throughout the main article text

\section{Introduction}

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

%------------------------------------------------

\section{Methods}

\subsection{Parsing MIDI files}
Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

\subsection{Evaluating MIDI data}
Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

\subsection{Visualization and animation}
Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

%------------------------------------------------

\section{Discussion}

A good point of discussion here concerns the level of technical complexity of the pieces that were exhibited alongside VIZIDI in the “Generative Art \& Design” space. It was interesting to appreciate that people oftentimes reacted more positively to projects that favoured aesthetics. In that sense, a possible question would be: should visual impact be the goal of generative art? There is no doubt that this is a controversial issue. An engaging experience, a room full of colorful lights or a breathtaking animation are only possible if a good program has been compiled. Therefore, code and visuals must work in tandem. Reaching that balance is perhaps the most difficult part of any job of this nature.

%----------------------------------------------------------------------------------------
%   REFERENCE LIST
%----------------------------------------------------------------------------------------

%\bibliography{vizidi}

%----------------------------------------------------------------------------------------

\end{multicols}

\end{document}

парскип

Примечания

Не загружайте пакет дважды, например geometry.
\thispagestyleвлияет толькоэтотстиль страницы.
\pagestyleвлияет на стиль страницы по умолчанию.
Вы не можете использовать 2 входных кодировки одновременно, так что не говорите inputencоб обратном.

Question 2

Хотя вы можете использовать parskipпакет, самым безопасным решением здесь будет переключиться на scrartclодин из его parskipвариантов (есть half, fullа также некоторые варианты +и *):

\documentclass[twoside,parskip=half]{scrartcl}
\bibliographystyle{nature}      

\usepackage{lipsum} % Package to generate dummy text throughout this template

%\usepackage[sc]{mathpazo} % Use the Palatino font
\usepackage[latin1,utf8]{inputenc}
%\usepackage[T1]{fontenc} % Use 8-bit encoding that has 256 glyphs
%\linespread{1.05} % Line spacing - Palatino needs more space between lines
\usepackage{microtype} % Slightly tweak font spacing for aesthetics

\usepackage[hmarginratio=1:1,columnsep=28pt]{geometry} % Document margins
\usepackage{geometry}
\geometry{a4paper,left=25mm,right=25mm, top=25mm, bottom=25mm, headsep=10mm} 

\usepackage{multicol} % Used for the two-column layout of the document
\usepackage{hyperref} % For hyperlinks in the PDF

\usepackage{paralist}% Used for the compactitem environment which makes bullet points with less space between them

\usepackage{abstract} % Allows abstract customization
\renewcommand{\abstractnamefont}{\normalfont\bfseries} % Set the "Abstract" text to bold

\usepackage{titlesec} % Allows customization of titles
\renewcommand\thesection{\Roman{section}.} % Roman numerals for the sections
\renewcommand\thesubsection{\thesection\Roman{subsection}}% Roman numerals for subsections
%\titleformat{\section}[block]{\large\scshape\centering}{\thesection.}{1em}{} % Change the look of the section titles
\titleformat{\subsection}[block]{\large}{\thesubsection.}{1em}{} % Change the look of the section titles

\usepackage{fancyhdr} % Headers and footers
\pagestyle{fancy} % All pages have headers and footers
\fancyhead{} % Blank out the default header
\fancyhead[C]{VIZIDI $\bullet$ Generative Art \& Design $\bullet$ Winter Semester 2013/2014}  % 

%----------------------------------------------------------------------------------------
%   TITLE SECTION
%----------------------------------------------------------------------------------------

\title{\vspace{-15mm}\fontsize{24pt}{10pt}\selectfont\textbf{VIZIDI}} % Article title

\author{
\large
\textsc{David Beerman \& Antonio Palacios}\\[2mm] % Your name
\normalsize Hochschule für Künste Bremen \\ % Your institution
\href{mailto:[email protected]}{[email protected]}\\
\href{mailto:[email protected]}{[email protected]} % Your email address
\vspace{-5mm}
}
\date{}

%----------------------------------------------------------------------------------------

\begin{document}

\maketitle % Insert title

\thispagestyle{fancy} % All pages have headers and footers

%----------------------------------------------------------------------------------------
%   ABSTRACT
%----------------------------------------------------------------------------------------

\begin{abstract}

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue. 

Donec vitae justo ac elit imperdiet ullamcorper eget vitae ante. Nam elementum condimentum sagittis. Suspendisse nibh enim, ultricies nec iaculis eu, elementum in mauris. Proin faucibus rhoncus dolor in ultricies. Curabitur interdum justo non dui rutrum pharetra quis vitae risus. Mauris odio massa, luctus et odio vitae, porta aliquam massa. Sed aliquam ligula enim, a fringilla tellus vulputate at. Aenean vitae rutrum lectus. 

\end{abstract}

%----------------------------------------------------------------------------------------
%   ARTICLE CONTENTS
%----------------------------------------------------------------------------------------

\begin{multicols}{2} % Two-column layout throughout the main article text

\section{Introduction}

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue. 

%------------------------------------------------

\section{Methods}

\subsection{Parsing MIDI files}
Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue. 

\subsection{Evaluating MIDI data}
Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue. 

\subsection{Visualization and animation}
Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue. 

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue. 

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue. 

%------------------------------------------------

\section{Discussion}

A good point of discussion here concerns the level of technical complexity of the pieces that were exhibited alongside VIZIDI in the “Generative Art \& Design” space. It was interesting to appreciate that people oftentimes reacted more positively to projects that favoured aesthetics. In that sense, a possible question would be: should visual impact be the goal of generative art? There is no doubt that this is a controversial issue. An engaging experience, a room full of colorful lights or a breathtaking animation are only possible if a good program has been compiled. Therefore, code and visuals must work in tandem. Reaching that balance is perhaps the most difficult part of any job of this nature.

%----------------------------------------------------------------------------------------
%   REFERENCE LIST
%----------------------------------------------------------------------------------------

%\bibliography{vizidi} 

%----------------------------------------------------------------------------------------

\end{multicols}

\end{document}

Когда я говорю «безопаснее», я имею в виду следующее: использование fullили halfозначает, что дополнительное разделение между абзацами будет составлять одну строку или только половину строки соответственно. Помимо того, что класс заботится о том, чтобы не увеличивать интервал в нежелательных местах (например, в списках и ToC, LoF, LoT), использование модификаторов *, +, Без какого-либо модификатора последняя строка абзаца будет заканчиваться пробелом не менее 1em. С символом плюса величина пробела составит треть, а со звездочкой — четверть ширины обычной строки. Это позволяет избежать двусмысленности, которая может возникнуть из-за того, что последняя строка будет простираться до правого поля непосредственно перед разрывом страницы.

Answer

Хотя вы можете использовать parskipпакет, самым безопасным решением здесь будет переключиться на scrartclодин из его parskipвариантов (есть half, fullа также некоторые варианты +и *):

\documentclass[twoside,parskip=half]{scrartcl}
\bibliographystyle{nature}      

\usepackage{lipsum} % Package to generate dummy text throughout this template

%\usepackage[sc]{mathpazo} % Use the Palatino font
\usepackage[latin1,utf8]{inputenc}
%\usepackage[T1]{fontenc} % Use 8-bit encoding that has 256 glyphs
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\fancyhead[C]{VIZIDI $\bullet$ Generative Art \& Design $\bullet$ Winter Semester 2013/2014}  % 

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\textsc{David Beerman \& Antonio Palacios}\\[2mm] % Your name
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\begin{abstract}

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\section{Introduction}

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\section{Methods}

\subsection{Parsing MIDI files}
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\subsection{Evaluating MIDI data}
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\subsection{Visualization and animation}
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\section{Discussion}

A good point of discussion here concerns the level of technical complexity of the pieces that were exhibited alongside VIZIDI in the “Generative Art \& Design” space. It was interesting to appreciate that people oftentimes reacted more positively to projects that favoured aesthetics. In that sense, a possible question would be: should visual impact be the goal of generative art? There is no doubt that this is a controversial issue. An engaging experience, a room full of colorful lights or a breathtaking animation are only possible if a good program has been compiled. Therefore, code and visuals must work in tandem. Reaching that balance is perhaps the most difficult part of any job of this nature.

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Когда я говорю «безопаснее», я имею в виду следующее: использование fullили halfозначает, что дополнительное разделение между абзацами будет составлять одну строку или только половину строки соответственно. Помимо того, что класс заботится о том, чтобы не увеличивать интервал в нежелательных местах (например, в списках и ToC, LoF, LoT), использование модификаторов *, +, Без какого-либо модификатора последняя строка абзаца будет заканчиваться пробелом не менее 1em. С символом плюса величина пробела составит треть, а со звездочкой — четверть ширины обычной строки. Это позволяет избежать двусмысленности, которая может возникнуть из-за того, что последняя строка будет простираться до правого поля непосредственно перед разрывом страницы.

Примечания

решение1

Примечания

решение2

Связанный контент