筆記

Question 1

這個例子並不是最小的，但我還是採用了它。

parskip是使用垂直間距進行段落分隔的建議方法：

\documentclass[twoside]{article}
\bibliographystyle{nature}
\usepackage{parskip}

\usepackage{lipsum} % Package to generate dummy text throughout this template

%\usepackage[sc]{mathpazo} % Use the Palatino font
\usepackage[utf8]{inputenc}% you cannot use 2 input encodings simultaneously!
%\usepackage[T1]{fontenc} % Use 8-bit encoding that has 256 glyphs
%\linespread{1.05} % Line spacing - Palatino needs more space between lines
\usepackage{microtype} % Slightly tweak font spacing for aesthetics

\usepackage[columnsep=28pt]{geometry} % Document margins % don't load geometry twice
\geometry{a4paper,left=25mm,right=25mm, top=25mm, bottom=25mm, headsep=10mm}% sets margin ratio again in effect

\usepackage{multicol} % Used for the two-column layout of the document
\usepackage{hyperref} % For hyperlinks in the PDF

\usepackage{paralist}% Used for the compactitem environment which makes bullet points with less space between them

\usepackage{abstract} % Allows abstract customization
\renewcommand{\abstractnamefont}{\normalfont\bfseries} % Set the "Abstract" text to bold

\usepackage{titlesec} % Allows customization of titles
\renewcommand\thesection{\Roman{section}.} % Roman numerals for the sections
\renewcommand\thesubsection{\thesection\Roman{subsection}}% Roman numerals for subsections
%\titleformat{\section}[block]{\large\scshape\centering}{\thesection.}{1em}{} % Change the look of the section titles
\titleformat{\subsection}[block]{\large}{\thesubsection.}{1em}{} % Change the look of the section titles

\usepackage{fancyhdr} % Headers and footers
\pagestyle{fancy} % All pages have headers and footers - THIS command sets the default page layout
\fancyhead{} % Blank out the default header
\fancyhead[C]{VIZIDI $\bullet$ Generative Art \& Design $\bullet$ Winter Semester 2013/2014}  %

%----------------------------------------------------------------------------------------
%   TITLE SECTION
%----------------------------------------------------------------------------------------

\title{\vspace{-15mm}\fontsize{24pt}{10pt}\selectfont\textbf{VIZIDI}} % Article title

\author{
\large
\textsc{David Beerman \& Antonio Palacios}\\[2mm] % Your name
\normalsize Hochschule für Künste Bremen \\ % Your institution
\href{mailto:[email protected]}{[email protected]}\\
\href{mailto:[email protected]}{[email protected]} % Your email address
\vspace{-5mm}
}
\date{}

%----------------------------------------------------------------------------------------

\begin{document}

\maketitle % Insert title

\thispagestyle{fancy} % All pages have headers and footers  - no this command only affects THIS page

%----------------------------------------------------------------------------------------
%   ABSTRACT
%----------------------------------------------------------------------------------------

\begin{abstract}

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

Donec vitae justo ac elit imperdiet ullamcorper eget vitae ante. Nam elementum condimentum sagittis. Suspendisse nibh enim, ultricies nec iaculis eu, elementum in mauris. Proin faucibus rhoncus dolor in ultricies. Curabitur interdum justo non dui rutrum pharetra quis vitae risus. Mauris odio massa, luctus et odio vitae, porta aliquam massa. Sed aliquam ligula enim, a fringilla tellus vulputate at. Aenean vitae rutrum lectus.

\end{abstract}

%----------------------------------------------------------------------------------------
%   ARTICLE CONTENTS
%----------------------------------------------------------------------------------------

\begin{multicols}{2} % Two-column layout throughout the main article text

\section{Introduction}

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

%------------------------------------------------

\section{Methods}

\subsection{Parsing MIDI files}
Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

\subsection{Evaluating MIDI data}
Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

\subsection{Visualization and animation}
Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

%------------------------------------------------

\section{Discussion}

A good point of discussion here concerns the level of technical complexity of the pieces that were exhibited alongside VIZIDI in the “Generative Art \& Design” space. It was interesting to appreciate that people oftentimes reacted more positively to projects that favoured aesthetics. In that sense, a possible question would be: should visual impact be the goal of generative art? There is no doubt that this is a controversial issue. An engaging experience, a room full of colorful lights or a breathtaking animation are only possible if a good program has been compiled. Therefore, code and visuals must work in tandem. Reaching that balance is perhaps the most difficult part of any job of this nature.

%----------------------------------------------------------------------------------------
%   REFERENCE LIST
%----------------------------------------------------------------------------------------

%\bibliography{vizidi}

%----------------------------------------------------------------------------------------

\end{multicols}

\end{document}

帕斯基普

筆記

不要加載一個包兩次，例如geometry。
\thispagestyle僅影響這頁面樣式。
\pagestyle影響預設頁面樣式。
您不能同時使用 2 個輸入編碼，因此請勿inputenc另行告知。

Answer

這個例子並不是最小的，但我還是採用了它。

parskip是使用垂直間距進行段落分隔的建議方法：

\documentclass[twoside]{article}
\bibliographystyle{nature}
\usepackage{parskip}

\usepackage{lipsum} % Package to generate dummy text throughout this template

%\usepackage[sc]{mathpazo} % Use the Palatino font
\usepackage[utf8]{inputenc}% you cannot use 2 input encodings simultaneously!
%\usepackage[T1]{fontenc} % Use 8-bit encoding that has 256 glyphs
%\linespread{1.05} % Line spacing - Palatino needs more space between lines
\usepackage{microtype} % Slightly tweak font spacing for aesthetics

\usepackage[columnsep=28pt]{geometry} % Document margins % don't load geometry twice
\geometry{a4paper,left=25mm,right=25mm, top=25mm, bottom=25mm, headsep=10mm}% sets margin ratio again in effect

\usepackage{multicol} % Used for the two-column layout of the document
\usepackage{hyperref} % For hyperlinks in the PDF

\usepackage{paralist}% Used for the compactitem environment which makes bullet points with less space between them

\usepackage{abstract} % Allows abstract customization
\renewcommand{\abstractnamefont}{\normalfont\bfseries} % Set the "Abstract" text to bold

\usepackage{titlesec} % Allows customization of titles
\renewcommand\thesection{\Roman{section}.} % Roman numerals for the sections
\renewcommand\thesubsection{\thesection\Roman{subsection}}% Roman numerals for subsections
%\titleformat{\section}[block]{\large\scshape\centering}{\thesection.}{1em}{} % Change the look of the section titles
\titleformat{\subsection}[block]{\large}{\thesubsection.}{1em}{} % Change the look of the section titles

\usepackage{fancyhdr} % Headers and footers
\pagestyle{fancy} % All pages have headers and footers - THIS command sets the default page layout
\fancyhead{} % Blank out the default header
\fancyhead[C]{VIZIDI $\bullet$ Generative Art \& Design $\bullet$ Winter Semester 2013/2014}  %

%----------------------------------------------------------------------------------------
%   TITLE SECTION
%----------------------------------------------------------------------------------------

\title{\vspace{-15mm}\fontsize{24pt}{10pt}\selectfont\textbf{VIZIDI}} % Article title

\author{
\large
\textsc{David Beerman \& Antonio Palacios}\\[2mm] % Your name
\normalsize Hochschule für Künste Bremen \\ % Your institution
\href{mailto:[email protected]}{[email protected]}\\
\href{mailto:[email protected]}{[email protected]} % Your email address
\vspace{-5mm}
}
\date{}

%----------------------------------------------------------------------------------------

\begin{document}

\maketitle % Insert title

\thispagestyle{fancy} % All pages have headers and footers  - no this command only affects THIS page

%----------------------------------------------------------------------------------------
%   ABSTRACT
%----------------------------------------------------------------------------------------

\begin{abstract}

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

Donec vitae justo ac elit imperdiet ullamcorper eget vitae ante. Nam elementum condimentum sagittis. Suspendisse nibh enim, ultricies nec iaculis eu, elementum in mauris. Proin faucibus rhoncus dolor in ultricies. Curabitur interdum justo non dui rutrum pharetra quis vitae risus. Mauris odio massa, luctus et odio vitae, porta aliquam massa. Sed aliquam ligula enim, a fringilla tellus vulputate at. Aenean vitae rutrum lectus.

\end{abstract}

%----------------------------------------------------------------------------------------
%   ARTICLE CONTENTS
%----------------------------------------------------------------------------------------

\begin{multicols}{2} % Two-column layout throughout the main article text

\section{Introduction}

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

%------------------------------------------------

\section{Methods}

\subsection{Parsing MIDI files}
Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

\subsection{Evaluating MIDI data}
Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

\subsection{Visualization and animation}
Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue.

%------------------------------------------------

\section{Discussion}

A good point of discussion here concerns the level of technical complexity of the pieces that were exhibited alongside VIZIDI in the “Generative Art \& Design” space. It was interesting to appreciate that people oftentimes reacted more positively to projects that favoured aesthetics. In that sense, a possible question would be: should visual impact be the goal of generative art? There is no doubt that this is a controversial issue. An engaging experience, a room full of colorful lights or a breathtaking animation are only possible if a good program has been compiled. Therefore, code and visuals must work in tandem. Reaching that balance is perhaps the most difficult part of any job of this nature.

%----------------------------------------------------------------------------------------
%   REFERENCE LIST
%----------------------------------------------------------------------------------------

%\bibliography{vizidi}

%----------------------------------------------------------------------------------------

\end{multicols}

\end{document}

帕斯基普

筆記

不要加載一個包兩次，例如geometry。
\thispagestyle僅影響這頁面樣式。
\pagestyle影響預設頁面樣式。
您不能同時使用 2 個輸入編碼，因此請勿inputenc另行告知。

Question 2

雖然您可以使用該parskip包，但這裡最安全的做法是切換到scrartcl並使用它的選項之一parskip（有half、full以及一些+和*變體）：

\documentclass[twoside,parskip=half]{scrartcl}
\bibliographystyle{nature}      

\usepackage{lipsum} % Package to generate dummy text throughout this template

%\usepackage[sc]{mathpazo} % Use the Palatino font
\usepackage[latin1,utf8]{inputenc}
%\usepackage[T1]{fontenc} % Use 8-bit encoding that has 256 glyphs
%\linespread{1.05} % Line spacing - Palatino needs more space between lines
\usepackage{microtype} % Slightly tweak font spacing for aesthetics

\usepackage[hmarginratio=1:1,columnsep=28pt]{geometry} % Document margins
\usepackage{geometry}
\geometry{a4paper,left=25mm,right=25mm, top=25mm, bottom=25mm, headsep=10mm} 

\usepackage{multicol} % Used for the two-column layout of the document
\usepackage{hyperref} % For hyperlinks in the PDF

\usepackage{paralist}% Used for the compactitem environment which makes bullet points with less space between them

\usepackage{abstract} % Allows abstract customization
\renewcommand{\abstractnamefont}{\normalfont\bfseries} % Set the "Abstract" text to bold

\usepackage{titlesec} % Allows customization of titles
\renewcommand\thesection{\Roman{section}.} % Roman numerals for the sections
\renewcommand\thesubsection{\thesection\Roman{subsection}}% Roman numerals for subsections
%\titleformat{\section}[block]{\large\scshape\centering}{\thesection.}{1em}{} % Change the look of the section titles
\titleformat{\subsection}[block]{\large}{\thesubsection.}{1em}{} % Change the look of the section titles

\usepackage{fancyhdr} % Headers and footers
\pagestyle{fancy} % All pages have headers and footers
\fancyhead{} % Blank out the default header
\fancyhead[C]{VIZIDI $\bullet$ Generative Art \& Design $\bullet$ Winter Semester 2013/2014}  % 

%----------------------------------------------------------------------------------------
%   TITLE SECTION
%----------------------------------------------------------------------------------------

\title{\vspace{-15mm}\fontsize{24pt}{10pt}\selectfont\textbf{VIZIDI}} % Article title

\author{
\large
\textsc{David Beerman \& Antonio Palacios}\\[2mm] % Your name
\normalsize Hochschule für Künste Bremen \\ % Your institution
\href{mailto:[email protected]}{[email protected]}\\
\href{mailto:[email protected]}{[email protected]} % Your email address
\vspace{-5mm}
}
\date{}

%----------------------------------------------------------------------------------------

\begin{document}

\maketitle % Insert title

\thispagestyle{fancy} % All pages have headers and footers

%----------------------------------------------------------------------------------------
%   ABSTRACT
%----------------------------------------------------------------------------------------

\begin{abstract}

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue. 

Donec vitae justo ac elit imperdiet ullamcorper eget vitae ante. Nam elementum condimentum sagittis. Suspendisse nibh enim, ultricies nec iaculis eu, elementum in mauris. Proin faucibus rhoncus dolor in ultricies. Curabitur interdum justo non dui rutrum pharetra quis vitae risus. Mauris odio massa, luctus et odio vitae, porta aliquam massa. Sed aliquam ligula enim, a fringilla tellus vulputate at. Aenean vitae rutrum lectus. 

\end{abstract}

%----------------------------------------------------------------------------------------
%   ARTICLE CONTENTS
%----------------------------------------------------------------------------------------

\begin{multicols}{2} % Two-column layout throughout the main article text

\section{Introduction}

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue. 

%------------------------------------------------

\section{Methods}

\subsection{Parsing MIDI files}
Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue. 

\subsection{Evaluating MIDI data}
Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue. 

\subsection{Visualization and animation}
Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue. 

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue. 

Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue. 

%------------------------------------------------

\section{Discussion}

A good point of discussion here concerns the level of technical complexity of the pieces that were exhibited alongside VIZIDI in the “Generative Art \& Design” space. It was interesting to appreciate that people oftentimes reacted more positively to projects that favoured aesthetics. In that sense, a possible question would be: should visual impact be the goal of generative art? There is no doubt that this is a controversial issue. An engaging experience, a room full of colorful lights or a breathtaking animation are only possible if a good program has been compiled. Therefore, code and visuals must work in tandem. Reaching that balance is perhaps the most difficult part of any job of this nature.

%----------------------------------------------------------------------------------------
%   REFERENCE LIST
%----------------------------------------------------------------------------------------

%\bibliography{vizidi} 

%----------------------------------------------------------------------------------------

\end{multicols}

\end{document}

當我說「更安全」時，我的意思是：使用full或half，意味著段落之間的額外分隔將分別為一行或僅半行。除了類別注意不增加不需要的位置（例如列表、ToC、LoF、LoT）的間距之外，使用修飾符*, +，如果沒有任何修飾符，段落的最後一行將以至少的空白結尾1em。使用加號字元時，空白量將是正常行寬度的三分之一，使用星號時，空白量將是正常行寬度的四分之一。這避免了最後一行在分頁符號之前一直延伸到右邊距可能導致的歧義。

Answer

雖然您可以使用該parskip包，但這裡最安全的做法是切換到scrartcl並使用它的選項之一parskip（有half、full以及一些+和*變體）：

\documentclass[twoside,parskip=half]{scrartcl}
\bibliographystyle{nature}      

\usepackage{lipsum} % Package to generate dummy text throughout this template

%\usepackage[sc]{mathpazo} % Use the Palatino font
\usepackage[latin1,utf8]{inputenc}
%\usepackage[T1]{fontenc} % Use 8-bit encoding that has 256 glyphs
%\linespread{1.05} % Line spacing - Palatino needs more space between lines
\usepackage{microtype} % Slightly tweak font spacing for aesthetics

\usepackage[hmarginratio=1:1,columnsep=28pt]{geometry} % Document margins
\usepackage{geometry}
\geometry{a4paper,left=25mm,right=25mm, top=25mm, bottom=25mm, headsep=10mm} 

\usepackage{multicol} % Used for the two-column layout of the document
\usepackage{hyperref} % For hyperlinks in the PDF

\usepackage{paralist}% Used for the compactitem environment which makes bullet points with less space between them

\usepackage{abstract} % Allows abstract customization
\renewcommand{\abstractnamefont}{\normalfont\bfseries} % Set the "Abstract" text to bold

\usepackage{titlesec} % Allows customization of titles
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\fancyhead[C]{VIZIDI $\bullet$ Generative Art \& Design $\bullet$ Winter Semester 2013/2014}  % 

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\title{\vspace{-15mm}\fontsize{24pt}{10pt}\selectfont\textbf{VIZIDI}} % Article title

\author{
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\textsc{David Beerman \& Antonio Palacios}\\[2mm] % Your name
\normalsize Hochschule für Künste Bremen \\ % Your institution
\href{mailto:[email protected]}{[email protected]}\\
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\begin{document}

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\begin{abstract}

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\section{Introduction}

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\section{Methods}

\subsection{Parsing MIDI files}
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\subsection{Evaluating MIDI data}
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\subsection{Visualization and animation}
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Nunc orci nibh, gravida non euismod gravida, elementum quis nibh. Nulla dui ipsum, dignissim at elit sed, consequat vestibulum purus. Morbi elementum leo consectetur ipsum fermentum sollicitudin. Etiam feugiat est ac risus congue, convallis sagittis est rutrum. Donec consectetur sodales velit ut vulputate. Aliquam erat volutpat. Curabitur aliquam nunc quis placerat adipiscing. Proin scelerisque, magna in luctus faucibus, libero justo tincidunt ante, nec imperdiet augue massa in augue. 

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\section{Discussion}

A good point of discussion here concerns the level of technical complexity of the pieces that were exhibited alongside VIZIDI in the “Generative Art \& Design” space. It was interesting to appreciate that people oftentimes reacted more positively to projects that favoured aesthetics. In that sense, a possible question would be: should visual impact be the goal of generative art? There is no doubt that this is a controversial issue. An engaging experience, a room full of colorful lights or a breathtaking animation are only possible if a good program has been compiled. Therefore, code and visuals must work in tandem. Reaching that balance is perhaps the most difficult part of any job of this nature.

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\end{multicols}

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當我說「更安全」時，我的意思是：使用full或half，意味著段落之間的額外分隔將分別為一行或僅半行。除了類別注意不增加不需要的位置（例如列表、ToC、LoF、LoT）的間距之外，使用修飾符*, +，如果沒有任何修飾符，段落的最後一行將以至少的空白結尾1em。使用加號字元時，空白量將是正常行寬度的三分之一，使用星號時，空白量將是正常行寬度的四分之一。這避免了最後一行在分頁符號之前一直延伸到右邊距可能導致的歧義。

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答案1

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答案2

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