Gostaria de saber se é possível melhorar o estilo da subseção do meu documento. Como você pode ver, quero ter até quatro subseções no capítulo “Métodos”. Por exemplo, o documento mostra “II. Seleção de ativos” quando o ideal seria “I.II. Seleção de ativos” (porque pertence a um determinado capítulo). Isso é possível?
Aqui está meu código:
\AtBeginDocument{\flushbottom}
\documentclass[10pt,a4paper,twocolumn]{scrartcl}
\bibliographystyle{nature}
\setlength{\columnsep}{30pt}
\usepackage{geometry}
\geometry{a4paper,left=25mm,right=25mm, top=25mm, bottom=25mm, headsep=10mm}
\setlength{\parskip}{\the\baselineskip plus 2pt minus 1pt}
\setlength{\parindent}{0pt}
\usepackage[T1]{fontenc}
\usepackage[latin1,utf8]{inputenc}
\usepackage{lmodern}
\usepackage[ngerman,english]{babel}
\usepackage[english,ngerman]{babel}
\usepackage[tracking=true]{microtype}
\usepackage{dsfont}
\usepackage{hyperref}
\usepackage{accents}
\usepackage{textcomp}
\usepackage{url}
%----------------------------------------------------------------------------------------
% HEADER
%----------------------------------------------------------------------------------------
\usepackage{fancyhdr}
% All pages have headers and footers
\pagestyle{fancy}
% Blank out the default header
\fancyhead{}
% Custom header text
\fancyhead[C]{ABC $\bullet$ ABC $\bullet$ ABC}
%----------------------------------------------------------------------------------------
%----------------------------------------------------------------------------------------
% TITLES
%----------------------------------------------------------------------------------------
% Allows customization of titles
\usepackage{titlesec}
% Roman numerals for the sections
\renewcommand\thesection{\Roman{section}.}
% Arabic numerals for subsections
\renewcommand\thesubsection{\Roman{subsection}.}
%----------------------------------------------------------------------------------------
%----------------------------------------------------------------------------------------
% REFERENCE HYPERLINK SMALLER FONT
%----------------------------------------------------------------------------------------
\makeatletter
\def\url@leostyle{
\@ifundefined{selectfont}{\def\UrlFont{\sffamily}}{\def\UrlFont{\small\ttfamily}}}
\makeatother
\urlstyle{leo}
%----------------------------------------------------------------------------------------
\begin{document}
% starts supressing the twoculomn environment, from here on it will we one column
\twocolumn[\begin{@twocolumnfalse}
% make a section
\section*{\huge\scshape\centering{The Mash-Up Experiment}}
\vspace{4mm}
\normalsize
\begin{center}
\large\textsc{XXX XXX}\\
\vspace{4mm}
University
\href{mailto:[email protected]}{[email protected]}
\end{center}
\vspace{6mm}
\section*{Abstract}
“The Mash-Up Experiment” is a six-minute musical piece.
\vspace{8mm}
%begins tabular
\begin{tabular}{p{1,5cm}p{12,55cm}p{1,5cm}}
&\textbf{Keywords}: authorship\\
\end{tabular}
% ends tabular
\vspace{11mm}
% ends suppressing the twocolumn environment, from here on it will be twocolumn
\end{@twocolumnfalse}]
\section{Methods} % make section
\subsection{Foundations}
In the matter of the sonic sources included in this song, more than thirty different tracks were utilised. The scope of genres and authors was motley, ranging from classical orchestration to bolero, from old singers to contemporary pop acts. Nonetheless, a great percentage of these tunes were taken from the works of James Bernard, who composed several scores for Hammer Films in the last millennium. He is the man behind the music from classic horror flicks such as “The Quartermass Experiment (1955),“ ”The Devil Rides Out (1968),” and “Scars of Dracula (1970).”
\subsection{Selection of assets}
In the matter of the sonic sources included in this song, more than thirty different tracks were utilised. The scope of genres and authors was motley, ranging from classical orchestration to bolero, from old singers to contemporary pop acts. Nonetheless, a great percentage of these tunes were taken from the works of James Bernard, who composed several scores for Hammer Films in the last millennium. He is the man behind the music from classic horror flicks such as “The Quartermass Experiment (1955),“ ”The Devil Rides Out (1968),” and “Scars of Dracula (1970).”
\subsection{Composition and arrangement}
In the matter of the sonic sources included in this song, more than thirty different tracks were utilised. The scope of genres and authors was motley, ranging from classical orchestration to bolero, from old singers to contemporary pop acts. Nonetheless, a great percentage of these tunes were taken from the works of James Bernard, who composed several scores for Hammer Films in the last millennium. He is the man behind the music from classic horror flicks such as “The Quartermass Experiment (1955),“ ”The Devil Rides Out (1968),” and “Scars of Dracula (1970).”
\end{document}
Responder1
O comportamento desejado
Eu.II. Seleção de ativos
pode ser obtido alterando a seguinte linha
\renewcommand\thesubsection{\Roman{subsection}.}
para
\renewcommand\thesubsection{\thesection\Roman{subsection}.}
Embora as advertências mencionadas nos comentários ainda se apliquem.